Showing posts with label Ghommids. Show all posts
Showing posts with label Ghommids. Show all posts

Thursday, May 16, 2024

"Come buy, come buy," was still their cry

Earlier today I posted "'Come buy,' call the goblins," in which I quote six lines from Christina Rossetti's long poem "Goblin Market" -- and of these six, the one I promote to headline status is the one that says, "Come buy." It's a major theme in the poem, which contains no fewer than 21 instances of "Come buy."

For my lower-level English classes for children, I maintain a spreadsheet of every vocabulary item (word/meaning pair) in their textbooks and on which pages each occurs. When I'm preparing to teach a particular page, I can then see at a glance which words on it should already be thoroughly familiar to my students, which they have encountered once or twice before, and which may be totally new to them.

This afternoon, I was preparing to teach this passage:


With a few clicks of the mouse, I sorted my spreadsheet so that every word on this page (and the facing page, not pictured) was listed in descending order of how many times it had appeared previously in the textbooks. What immediately jumped out at me was -- come buy!


Come had previously appeared in their material 37 times; buy, 35 -- and thus the two words came to be put together in that order.

After taking the above screenshot so I could put it in this post, I noticed that if you read from ask to buy -- keeping in mind that these are words from an article about growing vegetables, ordered according to how many times they had previously appeared in a particular set of textbooks -- it almost reads as a coherent utterance. Very little tweaking is needed:

Ask these, for when many water[s] them their every need did [provide], why then [did they] come buy?

Before and after that section, the series of words has no apparent meaning -- only the part I happened to include in my screenshot.

In "Goblin Market," the goblins try to sell faerie fruit to unsuspecting maidens. The textbook article is about vegetables, but the illustration is a huge photo of a pumpkin -- which is not only technically a fruit but perhaps the goblin fruit par excellence, due to its association with Halloween.

No sooner had I typed that than I glanced down at my desk and saw something I had put there just this morning and then promptly forgotten about: a little plastic bag of individually wrapped candies with jack-o'-lanterns on the wrappers.


The candies had been included as a free gift with something my wife had ordered online, and she had given them to me to bring to the school for my students. I had commented at the time how strange it was for them to have given her free Halloween candy in May.

The goblins in the poem sell typical sweet fruits -- "Apples and quinces, / Lemons and oranges, / Plump unpeck'd cherries," and so on -- but recasting the goblin fruits as pumpkins made me notice a connection I hadn't made before: an incident in one of Whitley Strieber's books where one of his goblin-like alien visitors appears to be going door-to-door selling squash. You can read about it in my June 2021 post "Cucurbits from an alien land." The post even mentions that I had misremembered the story, thinking it had been pumpkins that the alien was selling. (Pumpkins and squash are the same in Chinese anyway.)

This is all weird for sure. We'll see where it goes.

Monday, May 13, 2024

Scary “Momo” first seen, by children, in July (allegedly)

The day before yesterday, May 11, I taught an English class, and a reading comprehension exercise in the textbook had an article about the “Momo Challenge” phenomenon. This was a scary-looking character that would reportedly pop up unexpectedly in children’s videos on YouTube and tell the children to hurt themselves. YouTube insisted that there was no proof that such videos existed, and the received opinion now is that the whole thing was a hoax.

Momo is an extremely typical cutesy Chinese name — I can think of several companies and characters in Taiwan that use it — and the textbook is Taiwanese, so I had assumed the Momo Challenge was a Chinese-language phenomenon. Having looked it up, though, I see that it was global in scale and that reports of the videos began in July 2018.

Today, May 13, I read in John Keel’s book The Eighth Tower about Momo, short for Missouri Monster, a menacing Bigfoot-like creature repeatedly sighted in that state in the 1970s. According to Keel, “Momo was first seen on July 11, 1972, by the three Harrison children.” Of course, the received opinion is that, sightings schmitings, monsters don’t exist.

This is a pretty impressive coincidence, I think. Although the two incidents are completely different in nature, in each case the creature
  • is called Momo
  • has a frightening appearance
  • was first seen in July
  • was first seen by children
  • is widely dismissed as a hoax or urban legend
And, while the incidents themselves occurred 46 years apart, I happened to encounter one almost exactly 46 hours after the other.


Update (4:15 p.m., same day):

Trying to think what relevance Momo might have for me personally, I thought of how the syllable mo represents Mormon in various slang terms in common use on the Internet -- exmo, progmo, nevermo, mopologist, etc.

This made me think of how Ed Decker, the notoriously sensationalistic anti-Mormon, used to claim that Mormons worshiped a dark spirit called Mormo. Looking that word up, I found that mormo (plural mormones) refers to female spirit in Greek folklore, used as a bugbear to frighten children into behaving. The longer form mormolyce is also attested, suggesting that mormones were imagined as werewolf-like creatures. Since one of the things the two Momos in the sync have in common is that they frighten children, this seems relevant.

But, pace Ed Decker, none of that has anything to do with Mormons, right? Actually, there may be a connection. Mormons are so called after the Book of Mormon, which is named after the ancient prophet Mormon, who was named after a place. And how did the place get its name?

And it came to pass that as many as did believe him did go forth to a place which was called Mormon, having received its name from the king, being in the borders of the land having been infested, by times or at seasons, by wild beasts (Mosiah 18:4).

Doesn't this suggest that the name Mormon had something to do with the "wild beasts" that from time to time infested the place?

On a more personal note, "a bugbear to frighten children" may remind my longtime readers of one of this blog's predecessors, which, before being renamed Boisterous beholding, was called Bugs to fearen babes withall and had as a header image an anatomical diagram of a cicada. This is a line from Edmund Spenser's Faerie Queene, where bug is used in the sense of "bugbear," but I had deliberately misread it in the modern entomological sense. (The cicada is considered a "true bug.") The reference was to certain big-eyed nocturnal visitants who terrorized me as a very young child and whom I thought of sometimes as "monkeys" and sometimes as "bugs."

Cicadas in a Mormon context have recently appeared on this blog. In my March 18 post "Skeletor, hieroglyphic-bearing arthropods, and the Judgement," I reference the fringe Mormon Goker Harim, who claims to have translated the writings of the Brother of Jared from the markings on the back of a cicada. This was jokingly referenced by William Wright just a few days ago in his post "02/22."

Sunday, May 5, 2024

Tennessee Walts, plus that dog-stealing alien in New Jersey again

William Wright's May 4 post "Liberty Bell Follow-Up: The Liberty Bowl" begins with a reference to his "post earlier today on the Walts" -- meaning two different people named Walt: Walt Whitman and a TV character called Walter White. Walts sounds like waltz, and although there are obviously lots of different waltzes out there, the one that immediately came to mind when I read Walts was the 1950 Patti Page song "Tennessee Waltz." It started playing in my head as I read the rest of the post.


The post goes on to say that while William was finishing up his post on "the Walts," he glanced up at the TV and saw that it was showing a football game being played in Memphis, Tennessee.

William's two Walts -- both of whom have "white" surnames -- reminded me that a few years back I posted about another Walt in connection with the color black. My Leap Day 2020 post "A lost alchemical poem of Raleigh's" is about a dream I had in which I was reading a book called Ralegh the Alchemiste which quoted a line from Walter Raleigh -- "My Bodie will blacken and turne into Coale" -- and interpreted it as a reference to the alchemical process of nigredo, or blackening.

I then went on to note that, in the real world, that line is not Raleigh's but comes from a folk song sung by, among other people, Tennessee Ernie Ford. So yet another Tennessee-Walt connection.

Curious as to whether this was going to lead anywhere, I searched my own blog for tennessee. I didn't find any more Walts, but I did find a surprising coincidence in my August 2020 post "Synchronicity: Crop circle in Charlton." At the end of the post, I quote from Jacques Vallée's Passport to Magonia. Vallée tells the story of one Everett Clark, of Dante, Tennessee, who reported that a UFO had attempted to steal his dog on November 6, 1957, and then notes the "extraordinary coincidence" that "on the same day another attempt to steal a dog was made, this time in Everittstown, New Jersey." A footnote adds, "By yet another coincidence, the name of the town in the second case is similar to the name of the witness (Everett) in the first one."

If that sounds at all familiar, it's because I just quoted John Keel's account of the Everittstown dog-stealing incident two days ago, in "Hometo Omleto." I had no memory of having posted another reference to the same incident back in 2020, and I would have been none the wiser had the Tennessee Walt syncs not led me to search for tennessee. Both Keel and Vallée refer to lots of different UFO stories in their respective books, but the sync fairies singled out the same one twice.

Friday, May 3, 2024

Hometo Omleto

That's the Esperanto name for Humpty Dumpty. Some of you may have read in Martin Gardner that it's Homito Omleto and means "Little-Man Egg" -- which spoils the rhyme, incorrectly uses the passive past participle affix as a diminutive, and somehow misses the very obvious fact that omleto means "omelette," not "egg." (I guess an especially big omelette would be an omlo.) So the next time you hear someone casually mention Humpty's non-existent brother Homito, I hope you set them straight. We must each do our part to stop the spread of violent misinformation about what Humpty Dumpty is called in Esperanto.


Thinking about my recent griffin syncs led me to Lewis Carroll. I remembered that a Gryphon (the same spelling used in The Tinleys) featured in Alice but couldn't remember the context. Looking it up, I found that he appears together with the Mock Turtle, with whom he demonstrates the Lobster Quadrille song and dance.


The verse at the bottom of the page caught my eye because I posted it back in 2022, in "Snail on shingles." I've referenced that old posts a couple of times recently in connection with the translation of the Book of Mormon. (See for example last month's "The snail on the roof, the Lincoln Memorial, and the translation of the Book of Mormon.")


Shortly after looking up the Gryphon in Alice, I checked William Wright's blog and found that his latest post was about Lewis Carroll: "Humpty Dumpty and the Fall of Pharazon," which has since been followed up with an other Humpty post, "Urkel, Alice, Humpty, and Physiognomy." (And yes, I'm the unnamed emailer who introduced him to the word physiognomy. Singing "Physiognomy -- I Am Doing It," adapted from a Mormon children's song about genealogy, used to be a running joke in my circle of friends.)

"Humpty Dumpty" was originally a riddle, the answer being "an egg," but it's a pretty bad riddle. I mean, why did he sit on a wall? Do eggs sit on walls? How would an egg come to be in such a precarious position in the first place? It has a certain amount in common with another well-known pseudo-riddle: "If a rooster lays an egg on the top of a barn roof, which way does the egg roll?"

William's post dealt rather extensively with the subject of Humpty Dumpty's belt (or cravat, as the case may be). This made me think of a dad-joke (I literally heard it from my dad), which I left in a comment:

What did zero say to eight?

Nice belt.

William left a reply to the effect that in Through the Looking Glass it is actually "eight" (Alice, in her eighth year) who compliments "zero" (the zero-shaped Humpty) on his belt.


Another thing I've been thinking about these days is the three gods who are trapped inside Donchatryan Peak by the griffin in The Tinleys: Zlalop the wind god, Dinderblob the sea god, and Luppadornus Glamgornigus Simbosh the god of herpetology. Herpetology is about reptiles and amphibians, which made me think Luppadornus might have something to do with Kek, the ancient Egyptian frog god whose cult enjoyed an unexpected revival in 2016.


Just after reading William's first Humpty post and thinking about an egg sitting precariously on the edge of a wall, ready to fall, I picked up a book I have been reading, John Keel's 1970 UFO classic Operation Trojan Horse. The very first paragraphs I read were these two:

Like the prophet Daniel, and Joseph Smith of the Mormons, Senhor Aguiar passed out. The next thing he knew, he was slumped over his motorcycle, and the UFO was gone. But clutched in his hand was a piece of paper bearing a message in his own handwriting: "Put an absolute stop to all atomic tests for warlike purposes," the message warned. "The balance of the universe is threatened. We shall remain vigilant and ready to intervene."

"The balance of the universe . . ." It's a very odd coincidence how this same phrase turns up over and over again in the stories of these "kooks and crackpots."

It was actually that word crackpot that made me think of Humpty Dumpty falling and cracking. With that image in mind, "The balance of the universe is threatened" took on a different meaning. I imagined the universe as an egg, precariously balanced atop a wall, ready to fall if that balance is threatened.

The universe as an egg -- isn't that an Orphic symbol? The Cosmic Egg? I looked it up on Wikipedia and found that it is a very widespread symbol, not distinctively Orphic. This summary of the Egyptian version got my attention:

The cosmic egg myth can be found from Hermopolitus [sic]. Although the site, located in Middle Egypt, currently sports a name deriving from the name of the god Hermes, the ancient Egyptians called it Khemnu, or "Eight-Town." The number eight, in turn, refers to the Ogdoad, a group of eight gods who are the main characters in the Hermopolitan creation myth. Four of these gods are male, and have the heads of frogs, and the other four are female with the heads of serpents. These eight existed in the primordial, chaotic water that pre-existed the rest of creation. At some point these eight gods, in one way or another, bring about the formation of a cosmic egg, although variants of the myth describe the origins of the egg in different ways. In any case, the egg in turn gives rise to the deity who forms the rest of the world as well as the first land to arise out of the primordial waters, called the primeval mound.

So the Cosmic Egg is associated with the number eight, as in the dad-joke. The eight gods have the heads of frogs and serpents -- herpetology -- and one of the four frog-headed ones is, you guessed it, Kek. Furthermore, the Egg leads to the creation of "the primeval mound," which rises "out of the primordial waters." This sounds like the griffin's mountain in The Tinleys, which is an island.


After writing the above, I returned to Operation Trojan Horse -- still in the chapter titled "You Are Endangering the Balance of the Universe!" -- and read this:

Later that very night another farmer, John Trasco of Everittstown, New Jersey, reportedly went outside to feed his dog, King, when he saw a brightly glowing egg-shaped object hovering above the ground near his barn. A weird "little man" stepped timidly toward him, he said. He was about 3.5 feet tall, had a putty-colored face with large bulging froglike eyes, and was dressed in green coveralls.

"We are a peaceful people," Trasco quoted the little man as saying in a high "scary" voice. "We don't want no trouble. We just want your dog."

A "little man" in an "egg-shaped" craft syncs with Martin Gardner's "Little-Man Egg." The object hovers near a barn, which syncs with the rooster riddle I mentioned. The man has "froglike eyes," like Kek. (Note, shadilay means "spaceship.") He speaks in double-negatives ("We don't want no trouble"), like the Gryphon in Alice ("they never executes nobody," "he hasn't got no sorrow"). Finally, there's a dog named King. Little-Man Egg doesn't want "King's man," the farmer, nor is he interested in horses or other livestock; he only wants King himself.

Most Mormons will have heard at one point or another Vaughn J. Featherstone's theological reading of "Humpty Dumpty," from a 1995 sermon:

There is a verse that all of you have heard:

Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall;
All the king’s horses
And all the king’s men
Couldn’t put Humpty Dumpty together again.

But the King could, and the King can, and the King will if we will but come unto him.

The "King" here is obviously God -- and dog is a well-established cipher for God, as in "God and dog at the Panama Canal."


Did you notice the passing reference to Joseph Smith in the first John Keel quote above? The dream that started this whole griffin thing was paired with a dream about Joseph Smith. (See "A vulture named Odessa Grigorievna, and Joseph Smith in a spider mask.") In this latter dream, Smith had hidden a treasure in the basement of his house, but no one else knew about it. Since griffins are also traditionally guardians of treasure, specifically of gold, it seems likely that the two dreams are to be interpreted together.

"Humpty Dumpty" began as a riddle to which the answer is "an egg." Another such riddle has appeared on this blog recently, in "The Wonderful Flight to the Mushroom Planet" and "What's a soft-boiled egg? I'm cereal." The riddle, from The Hobbit, is:

A box without hinges, key, or lid,
Yet golden treasure inside is hid.

In the story related by Keel, a Brazilian man (whom Keel compares to Joseph Smith) receives the message, "The balance of the universe is threatened. We shall remain vigilant and ready to intervene." In my 2021 post "Notice: A new FAKE Mormon prophet in Brazil," I discuss a Brazilian man who claims to be the new Joseph Smith, and one of the evidences I give against his claims is his use of the word vigilantes to refer (in a supposedly revealed English translation) to the Watcher angels from the Book of Enoch. These Watchers have come up in connection with my dreams, in "Tin soldiers and griffins," because they are called Grigori in the Slavonic Book of Enoch, and the griffon vulture in my dream is hiding the fact that she is the "daughter of Grigori."


In "Armored vultures and Cherubim," I note the possible etymological link between griffin and cherubim and point out that "Just as a griffin's role is typically to protect treasure, the biblical Cherubim protect the Tree of Life." The egg may symbolize hidden treasure, and this treasure may be the Tree of Life.

Jumping back to the discussion of Hometo Omleto with which I opened this post, I mentioned parenthetically that perhaps a very large omelette would be called omlo in Esperanto. Just as hometo is from homo, "man," with the diminutive affix -et-, so omleto could be (incorrectly) analyzed as the diminutive of the non-existent word *omlo.

Having acquired the habit from William Wright, I decided to check in omlo meant anything in Elvish. The best fit is the Gnomish word omlos, meaning "chestnut tree." Chestnut tree! Keep in mind that egg = treasure = Tree of Life. In Joseph Smith Senior's 1811 dream of the Tree of Life (which closely parallels the visions of Lehi and Nephi), he describes the tree thus:

It was exceedingly handsome, insomuch that I looked upon it with wonder and admiration. Its beautiful branches spread themselves somewhat like an umbrella, and it bore a kind of fruit, in shape much like a chestnut bur, and as white as snow, or, if possible whiter. I gazed upon the same with considerable interest, and as I was doing so the burs or shells commenced opening and shedding their particles, or the fruit which they contained, which was of dazzling whiteness. I drew near and began to eat of it, and I found it delicious beyond description.


What a tangled web of syncs! Even writing about it in a linear fashion has been a challenge. Making any coherent sense out of it is going to take some time.

Thursday, November 30, 2023

Thin, strange, secret frogs

"Like thin, strange, secret frogs" -- the bizarre and memorable simile with which T. H. White introduces the brothers Gawaine, Agravaine, Gaheris, and Gareth in his Arthurian novel The Once and Future King. (This is Gawain of Green Knight fame; The Green Knight is also the title of an Iris Murdoch novel.) They live in Orkney, in the extreme north of Scotland, and speak Gaelic.

"Thin, strange, secret frogs" could also be yet another name for the "monkeys"/"bugs" of my early childhood. Thin, check. Strange, check. Secret, check. Frogs? Well, my 2013 poem "The Bugs" appropriates for its title characters the distinctive onomatopoeia from The Frogs, and in a comment I speculate that  "Aristophanes might have been acquainted with this same riffraff, whom he dubbed 'frogs' for those same 'orrible starin' eyes which led me to call them 'bugs.'" The poem also has an epigraph from another Murdoch novel, A Fairly Honourable Defeat, and connects the bugs with the "minor presences" that haunt the character Tallis Browne. In a memorable scene, Tallis pushes a wheelbarrow around the city; "a useful wheelbarrow for putting things in" is one of the "three mysterious gifts" Tim and Patrick give William Alizio. Tallis's estranged wife is called Morgan; Morgan le Fay is the sister of Morgause, who is the mother of White's four thin, strange, secret frogs.

Basidiumites, the Mushroom People in Eleanor Cameron's novels, also have frog-like characteristics, being baldish, greenish, and big-eyed. Frogs are associated with mushrooms ("toadstools"). Mycetians -- "resident alien" Mushroom People, like Tyco Bass, who come from families that have been living on Earth for generations and who can pass as human -- consider Wales to be their Earthly homeland, and most of them have very Welsh names and speak with a Welsh accent. (Tyco eventually reveals that his original name was Tyco ap Bassyd.) This ties in with White's Celtic "frogs."

Contemporary memes (I saved this one on November 13) also associate frogs with a word suggesting Bassyd and Basidium:


Little Green Men with Celtic names are of course a link to the leprechauns that came up in "William Alizio's links to other stories." In fact, the dismissive way the news reports the story of Tyco Bass's "blowing away" reminds me of the "Crichton Leprechaun" incident. Even when a leprechaun shows up in Mobile, Alabama, it's in a neighborhood with a Scottish/Welsh name. Who all seen da leprechaun say yeeaahh!

Tuesday, November 28, 2023

Sometimes a banana is just a banana -- right?


I may have mentioned a time or two that the sync fairies ain't got no class. This post will contain quite a lot of anatomical vulgarity.

I've never listened to the Sex Pistols. I mean I literally don't think I've ever listened to a single Sex Pistols song. They're not the sort of band that gets played on the radio, let alone as background music in public places. Nevertheless, they're supposed to have been an "important" group in the history of popular music, and I've picked up a thing or two about them through cultural osmosis. So when I needed a title for a sync post about seeing the word caster twice in rapid succession -- not Castor and Pollux but Caster and Caster -- what came to mind was "Never mind the Pollux," a reference to the 1977 album Never Mind the Bollocks, Here's the Sex Pistols.

Not really knowing anything about the album, I looked it up after posting and found this:

Mortimer produced an expert witness, Professor James Kinsley, Head of the School of English at the University of Nottingham, who argued that the word "bollocks" was not obscene, and was actually a legitimate Old English term formerly used to refer to a priest, and which, in the context of the title, meant "nonsense." Lawyer Geoffrey Robertson, who appeared with Mortimer, recalled the professor saying that early English translations of the Bible used "bollocks" to refer to testicles, this being replaced by the word "stones" in the King James Version of the Bible, at which point Rotten handed Robertson a note saying, "Don't worry. If we lose the case, we'll retitle the album Never Mind the Stones, Here's the Sex Pistols."

Johnny Rotten was referencing the Rolling Stones, of course, and implying that his band was better. (By the way, one of the Bible passages with stones for "testicles" is Job 40:16-17, which is subtly alluded to in one of the most secret parts of the Mormon temple ceremony.) After William Wright left a comment on the post, though, I thought of the Stones he is so obsessed with, so I left a comment mentioning Rotten's quip. William replied with this:

Hmmm - that [Sex Pistols reference] went over my head. I've never listened to them and don't know a thing about them, until I looked them up just now.

A seeming reference to your latest post on raising eyebrows? Seems like that group raised a few back in the day, from what I've just read.

A group referencing themselves as Dicks (using this slang here on purpose for reasons below) that asks folks to not mind (pay attention to) the Stones is interesting, in a bad way I guess, if one is willing to interpret Stones in a different way than intended.

Your Banana group that charged after the Civil War nuts seemed to be also a reference to dicks, if I understood you correctly?

Dick is a nickname based on Richard, which also has Rick as a nickname. You wrote about a picture of someone who likes to "rick", meaning swinging a massive morningstar, which you mentioned was badass and pretty cool. We see a similar weapon (a flail, technically) in the Iron video held by a person that could probably be described as a badass.

In your post announcing you were sync posting again, you actually did the same thing that the Sex Pistols are telling people to do in their album title, in a way. You changed "Let's rock and roll" to "Let's rick and roll", replacing the rock (Stone) with a rick (dick)....as in, never mind the Rock-Stone, here is the Rick-Dick.

How is it that I never made any of those connections? I knew the literal meaning of bollocks, and the intended meaning of Sex Pistols, but I never put two and two together and realized that the album title is literally saying "Never mind the testicles, here's the penises." I guess pitting those two parts of the male anatomy against each other is so odd and unnatural that it never crossed my mind.

As for the Bananas vs. the Civil War Nuts (see "Charge! Run away!"), the Freudian implications of bananas vs. nuts seem inescapable once they've been pointed out, but I never made the connection until I read William's comment. When I wrote that "I was very interested in, uh, bananas," I think William took my uh as wink-wink-nudge-nudge, but it was just intended to signal sheepishness as I admitted that, while my peers were interested in intellectually stimulating subjects like the Civil War, I myself was obsessed with something as vacuous as a particular kind of fruit. No double entendre.

Here's how I came to be Banana Man. When I was very young, maybe two or three, I used to wake my parents up almost every night screaming about big-eyed "monkeys" looking in my window or coming into my room. I would later come to think of these unwelcome guests as "the bugs" and superstitiously repeat the prayer "Don't let the bugs bother me tonight," but at this point they were "monkeys." My parents, who believed in tackling phobias head-on (my father would often tell the story of how he overcame his own formerly extreme arachnophobia), responded to this by buying me a Curious George doll and encouraging me to embrace all things monkey -- which I did, with a vengeance. Eating lots of bananas was part of this, and I insisted on eating them "the monkey way" -- meaning with the skin peeled back but not removed, as I had seen monkeys eating them in cartoons. Over time, bananas gradually took over center stage from monkeys, and monkeys began to seem to be an aspect of my obsession with bananas even though it had originally been the other way around. I still have some of my old writing assignments from elementary school, and everything -- everything -- is about monkeys or bananas. When we read Banner in the Sky, I always referred to it as Banana in the Sky, and when I had to create sentences using vocabulary words like edelweiss and reconnoitre, I came out with stuff like, "Few people realize that, like edelweiss, banana trees can flourish at high altitudes." It became a challenge: I saw "Write one sentence using each of the following words" and read "Write a paragraph about monkeys or bananas incorporating each of the following words." I was pretty good at it, and I like to think it made checking homework marginally less boring for my teachers.

As I got older, I got tired of the Banana Man persona but found that it was too well established to be readily shaken off. Fortunately, right around that time the Cold War ended, and my father left Martin Marietta and the land of submarines for an insurance company in Cleveland. This meant a substantial step down in terms of coolness-by-association, but it also meant a fresh start in a new town, and I left Banana Man behind in Maryland.

When I read William's comment about how bananas were clearly "a reference to dicks," my first thought was, "Oh, come on! Sometimes a cigar is just a cigar!" -- the line humorously attributed to Sigmund Freud. But of course, much like Freud himself, I have made a habit of reading hidden meanings into everything and therefore have no right to say that. Live by the -- oh, wait, that's a phallic symbol, too, isn't it?

Then I remembered how one of my teachers, adapting a common expression about cigars for the benefit of the Banana Man in his class, used to say "Close but no banana" when a student's answer wasn't quite correct. And I used to have a sync blog called No Cigar. This was a reference to a line in the They Might Be Giants song "See the Constellation" (later Galahad Eridanus would independently use the word constellating to mean noticing connections and synchronicities) but also to the Freud joke: No, a cigar isn't ever just a cigar because nothing is ever just itself; everything has a meaning. Furthermore, the word cigar likely comes from, or was influenced by, cigarra, the Spanish for "cicada." I adopted the cicada as a sort of personal emblem c. 2009. I wore a jade cicada pendant, and my blog was called Bugs to fearen babes withal (a deliberately misinterpreted line from Spenser, also adapted by Melville in his Encantadas), with an anatomical diagram of a cicada as the header image. Real longtime readers (maybe just Bruce?) will remember this. When in 2010 I asked for and received a "sign from God" (which failed to convert me from atheism), it took the form of a cicada.

How did the cicada -- considered a "true bug" by entomologists -- come to succeed the banana as a personal symbol? Well, it goes back to that Spenser line and to my childhood terror of the little chaps I thought of as "monkeys" or "bugs." In other words, the banana and the cicada can ultimately be traced back to the same source.

Now things get really weird. Shortly after moving to Ohio -- so I would have been around 12 -- I had a dream in which my old friends the bugs (long neglected and no longer terrifying) appeared and rather gleefully sang me a song in English (as opposed to the wordless drone that was their normal "song" in my infancy), to a tune similar to the Star Wars theme. Music always makes things easier to remember, and I can give you the cryptic lyrics verbatim all these years later:

R-V!
Remember the other word: dea-con!
Indestructible worker
Let him without stone cast the first cigarette

I was myself a deacon at that time, as are most Mormon boys of that age. I remember that in the dream I understood RV to stand for preparation worker, even though that doesn't make any sense. The literal meaning of deacon is "servant" (worker), and in Mormonism it is considered to be a "preparatory" office; after two years as a deacon, a boy would normally be promoted up through the ranks of the priesthood, becoming an elder at the ripe old age of 18.

What strikes me now, though, is the last line, which at the time seemed to be nothing but an opaque and apparently meaningless corruption of "let him without sin cast the first stone." Notice how perfectly it fits with our present theme: no stones, but here's a phallic symbol. It even features the word cast. William Wright linked the "casters" of my post (one of which, remember, was a cigarette pack) with Aaron and the magicians "casting" their rods. In Mormonism, it is with ordination as a deacon that one is admitted to the ranks of the Aaronic Priesthood. Mormons are, of course, strictly forbidden to smoke.

Another oddity: Earlier this year, around January and February, a persistent idea kept coming into my mind, seemingly out of nowhere, that I should buy an actual cigar and smoke it. The whole thing was weird. I've never smoked anything in my life, and literally no one takes up smoking at the age of 43 -- or at least no one has done so since the Elizabethan era. The idea -- I would say "temptation," but it wasn't at all tempting -- was that I would buy a single cigar from a convenience store, go out in the mountains somewhere and smoke it in secret, and then return to civilization and to being a non-smoker. What could possibly be the point of that? People smoke first for social reasons and then because it's a habit. Who the hell decides in middle age to smoke a single cigar all alone in the mountains and then never smoke again? No one, not even me. I never did it, but the idea kept presenting itself to me with a strange persistence, for a couple of months.

William Wright mentions my September 8 post "I don't care what people say, Rick and roll are here to stay," which marked my return to sync-posting after a long break, and which replaces rock (stones) with Rick (dick). Of course I wasn't thinking of male anatomy but of rickrolling -- which, for those of you who have been living under a rock, refers to the practice of posting bait-and-switch links that unexpectedly lead to a video of Rick Astley singing "Never Gonna Give You Up." (If you're unfamiliar with this childish so-called "joke," Dr. Simon West's presentation "The History and Semiotics of Rickrolling" will bring you up to speed.)

Rickrolling evolved from duckrolling. At one point, 4chan would replace with word egg with duck in posts, changing eggroll to duckroll. This gave rise to bait-and-switch links leading to an image of a mallard duck on wheels accompanied by a song about, of all things, Jean-Luc Picard, the Star Trek character played by Patrick Stewart. Testicles are called "eggs" in many languages, including Spanish and Chinese. In the "Bananas vs. Civil War Nuts" pictures, one of the Nuts always had a duck's bill to indicate that he was Patrick, who had played the role of a duck named Dr. Mallard in a school play. The duckroll meme also links a mallard duck to a role (duckrole?) played by an actor named Patrick. In case you missed it, William Wright recently brought up Jean-Luc Picard, and the significance of his being played by an actor named Patrick, in a context completely unrelated to duckrolling.

One more thing: Last night, I was thinking about my dream about "One and forty-four" and possible meanings of those numbers, when a book on my shelf caught my eye: Number by Tobias Dantzig. I thought, "Well, there's a book called Number. I'll just take it down and see what's on page 144."

Page 144 was blank.

Since I had the book down, I flipped through it a bit, and between pages 220 and 221 I found an old bookmark which I must have left there when I last read it -- which, according to my records, was in 2009:


The Chinese is my wife's handwriting, and I'd added a transliteration because I was still pretty illiterate in Chinese at that time. It's a song Taiwanese soldiers used to sing, which can be loosely translated as follows:

This here is my longer gun;
I've also got a shorter one.
Long's for killing spies (Red China's).
Short's for sticking in . . .

Well, you get the idea. She'd been singing the song because we were raising sugar gliders at the time -- an animal that literally has two penises -- and I'd asked her to write it down. Then, apparently, I used the note as a bookmark and forgot all about it for 14 years, until the sync fairies needed it.

What's on the cover of my copy of Number? Glad you asked:


A picture of three stones, and a quote from someone named One Stone -- why am I thinking of that Herb Caen line about martinis?


What does it all mean? Well, a penis is a mechanism for delivering what is produced by the testicles, so I guess all dick and no balls is all delivery and no content -- Oscar Wilde's "I have nothing to declare except my genius," or McLuhan's "The medium is the message." The applicability to me likely has to do with sync-posting itself. I have focused almost entirely on the coincidences themselves (the medium), with minimal attempts to interpret what they all mean (the message). This is partly because they're very hard to interpret, and partly because in my experience people who do try to forge their syncs into a coherent narrative always end up succumbing to delusions of grandeur and going completely -- well, as it happens, the mot juste here is nuts, which is subtly different from going bananas.

Galahad Eridanus talks about the tension between blindness and madness and  the need for narrative thinking. I think I've been trying to walk the tightrope between blindness and madness by seeing all kinds of crazy things but declining to interpret them. If I didn't see, I would be blind. If I interpreted, I would likely go mad; at least everyone else seems to do so. But this isn't a clever "middle way"; it's just pointless. It's like learning to "read" a language correctly in terms of pronunciation without learning what any of the words mean -- a completely useless skill, unless you're reading to someone who understands the spoken language but is illiterate. I guess that's the excuse I've been using -- that maybe most of my syncs aren't "for" me, that I'm just reading them off for other people's benefit, and that the interpretation is up to them. I think that's a cop-out, though, and in any case no one else actually seems to be doing that interpretive work successfully. Readers may benefit from an individual sync here or there, but interpreting the whole stream and turning it from one damn thing after another into a story? Well, that's my job. Who else could be expected to do it? Dee-and-Kelley type partnerships have occasionally borne fruit, but I don't have that. I have to play both roles. With some help from my readers and correspondents, yes, but in the end it's my own work to do.

Agnosticism is a cop-out. You have to make hypotheses. You have to plant a seed and see if it grows. Failure to do so is just another version of the contemptible ethic of safety first.

Thursday, October 19, 2023

Syncfest: Drowned boy, aliens, ceiling lights, finger of God, Michelangelo, Brother of Jared, Moria, and more

Let's see, where to start with this tangled web of syncs?

On October 14, I posted "Syncs: Drowned boy, unmask, gold medal, The King in Yellow." Wandering Gondola posted a comment saying that the mask theme made her think of the 2000 video game Legend of Zelda: Majora's Mask, adding:

It took a little longer to realise the "drowning boy" figures into this too. Majora is rather dark and disturbing, to the point it spawned a popular creepypasta-thing, Ben Drowned. I knew little about it before reading Wiki; figures it started on /x/.

I do a bit of lurking on /x/, and something that gets posted there from time to time -- I think I've run into it there three or four times -- is the 1996 video game Drowned God: Conspiracy of the Ages, with an indignant-looking Gray on the cover:


So when Wandering Gondola mentioned video games, /x/, and the word drowned, that's what I immediately thought of. I thought it was kind of a minor sync, since I'm currently reading Majestic, Whitley Strieber's 1989 novel about the Roswell incident -- but then I'm quite often reading something Gray-related, so it's not that impressive a coincidence. And a novel set in the New Mexican desert obviously isn't going to have anything about drowning in it, right? I mean, you can't very well drown in a desert.

Oh, wait, scratch that. Late last night I read this in Majestic. The speaker is intelligence officer Will Stone.

The light was boring down on us, glaring malevolently through the evening. Fear literally rolled over me, transforming me in an instant from a competent if slightly uneasy CIG officer into a terrified little boy.

One moment I was standing there and the next I was racing through the underbrush. I had no clear thoughts. I just wanted to get away from that light. I was drowning in the ocean of desert.

Not just drowning, but a little boy drowning -- even though it's actually describing a grown man running through a desert.

Just now I looked up the cover art for the first edition of Majestic. Here it is:


That's a nod to E.T., of course, but an even more direct nod to Michelangelo. E.T. copied the general finger-touching theme from Michelangelo,  but the Majestic cover includes even the cracks in the paint on the Sistine Chapel ceiling, and its human hand is in exactly the same position as God's in the Michelangelo painting. It's the finger of God, producing a flash of electric light. (On a ceiling. Remember that.)


Michelangelo was a bit of a sync, since I had randomly thought of him last night. I had been writing notes to myself about the chronology of the Exodus and wrote that the mention of "a new king, who knew not Joseph" didn't really make sense if (as per Deuteronomy) Joseph lived four centuries before the Exodus. I wrote: "It would be like saying of some early 20th-century figure that he had never met Michelangelo. I mean, of course he hadn't!"

Why was that the example that came to mind? Why the early 20th century? Why Michelangelo? Why hadn't I thought of some figure who lived 430 years before my own era? Trying to figure that out now, the best guess I have is that I was subconsciously primed by the recent "drowning" syncs. The Love Song of J. Alfred Prufrock, the early 20th-century poem with its refrain about "talking of Michelangelo," famously ends with the line "Till human voices wake us, and we drown." Here's how it begins:

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question ...
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

Strieber's work constantly focuses on the importance of the "overwhelming question"; and in order to avoid assuming an answer to the question "What is it?" he steers clear of talk of "aliens" and always refers to the Other People with the neutral term visitors. Also, keep in mind that bit about being etherized upon a table. The general image suggests the classic "alien abduction" scenario, of course, but the precise choice of words is also relevant.

Oh, before I forget, Wandering Gondola's comment which led me to Drowned God, although it was responding to my "drowned boy" sync, was actually appended to a different post, October 15's "The world was fair in Durin's day." That's a line from Tolkien's Song of Durin, sung by Gimli in Moria. The song also refers to shining crystals:

The light of sun and star and moon
In shining lamps of crystal hewn
Undimmed by cloud or shade of night
There shone for ever fair and bright.

The ending of the Song of Durin, like that of Prufrock, references both drowning and waking:

But still the sunken stars appear
In dark and windless Mirrormere;
There lies his crown in water deep,
Till Durin wakes again from sleep.

Yesterday one of my employees and I went through the twice-yearly ritual of completing the meaningless fire-safety paperwork that gives the fire department something to do between fires. As always, a series of photos have to be attached: of a staff member holding a fire extinguisher, opening the door, answering the phone, etc. One of the required photos was this:


That's a pointing finger and an electric ceiling light, plus a mask for good measure.

This morning, less than 24 hours after taking the above photo, I was browsing a meme dump and found this:


The ceiling-light "sun" also suggests a UFO, of course, and it reminded me of "The time I mistook the sun for the Andromeda Galaxy."

I had no morning classes today, so, as is my habit these days, I went to a coffee shop to read the Book of Mormon -- Chapters 2 through 5 of the Book of Ether. Ether is the name of a prophet, no relation to the quintessence or to anaesthesia ("etherized upon a table"), though plenty of jokes have been made about the latter (cf. Mark Twain's quip that the BoM is "chloroform in print"). This section covers the Jaredites' creation of "barges" (actually hermetically sealed vessels) to cross the ocean, with supernatural shining crystals providing the illumination. The main character is the unnamed "Brother of Jared," whose real name Mormon tradition holds was Mahonri Moriancumer. In his September 2 post "Jaredites in Moria: Making sense out of the Brother of Jared and his shining stones," William Wright proposes that the first element in the name Moriancumer refers to Moria -- the Dwarrowdelf of Tolkien, subject of the Song of Durin -- and that there is a hidden reference in the Book of Mormon to the Brother of Jared, like Gandalf, opening the gates of Khazad-dûm by uttering the password friend.

The shining stones in Ether shine because -- fitting right into a major theme of this post -- they were literally touched by the finger of God:

And I know, O Lord, that thou hast all power, and can do whatsoever thou wilt for the benefit of man; therefore touch these stones, O Lord, with thy finger, and prepare them that they may shine forth in darkness; and they shall shine forth unto us in the vessels which we have prepared, that we may have light while we shall cross the sea. . . .

And it came to pass that when the brother of Jared had said these words, behold, the Lord stretched forth his hand and touched the stones one by one with his finger. And the veil was taken from off the eyes of the brother of Jared, and he saw the finger of the Lord; and it was as the finger of a man, like unto flesh and blood; and the brother of Jared fell down before the Lord, for he was struck with fear (Ether 3:4, 6).

Note how this also syncs with the Majestic passage quoted above, where a character named Will Stone is suddenly struck with fear when he sees a bright light. Here, the Brother of Jared says the Lord "can do whatsoever thou wilt . . . therefore touch these stones . . . that they may shine," and is then "struck with fear" when the Lord does just that.

The Majestic passage comes right after Will Stone has been inside the crashed alien craft -- generally called a "disk" and sometimes a "saucer." In the description of the Jaredite vessels, we are told over and over again that they were "like unto a dish":

And they were built after a manner that they were exceedingly tight, even that they would hold water like unto a dish; and the bottom thereof was tight like unto a dish; and the sides thereof were tight like unto a dish; and the ends thereof were peaked; and the top thereof was tight like unto a dish; and the length thereof was the length of a tree; and the door thereof, when it was shut, was tight like unto a dish (Ether 2:17).

Saucer, dish, disk -- it's all the same thing.


Drowning -- or asphyxiating underwater, anyway -- is also a concern as the dish-tight vessels are being created:

And it came to pass that the brother of Jared cried unto the Lord, saying: O Lord, I have performed the work which thou hast commanded me, and I have made the barges according as thou hast directed me. And behold, O Lord, in them . . . we shall perish, for in them we cannot breathe, save it is the air which is in them; therefore we shall perish.

And the Lord said unto the brother of Jared: Behold, thou shalt make a hole in the top, and also in the bottom; and when thou shalt suffer for air thou shalt unstop the hole and receive air. And if it be so that the water come in upon thee, behold, ye shall stop the hole, that ye may not perish in the flood (Ether 2:18-20).

Just as I was reading this, I became aware of the background music playing in the coffee shop, something about "a rainbow hanging over your head" -- Ha! I thought, like the sword of Damocles! -- fitting given the modern connotation of rainbow. I Googled the line to see what the song was. Here's how it starts:

When it rains, it pours
But you didn't even notice it ain't rainin' anymore
It's hard to breathe when all you know is
The struggle of stayin' above the risin' water line

An unpredictably rising water line was a worry for the Jaredites, too: "ye shall be as a whale in the midst of the sea; for the mountain waves shall dash upon you" (Ether 2:24).

Remember that Will Stone describes himself as "drowning in the ocean of the desert." In my September 15 post "When life gives you lemons, make le monde," I mentioned that as a child I always thought the Mormon word Deseret was just desert, expanded to three syllables to fit the meter of the song "In Our Lovely Deseret." The word originates in the Book of Ether, where it refers to the honeybees the Jaredites carry with them across the ocean: "And they did also carry with them deseret, which, by interpretation, is a honey bee; and thus they did carry with them swarms of bees" (Ether 2:3).

Here's a coloring-book page from the CJCLDS, showing UFO-esque "barges" complete with honeybees and shining stones:


When I returned home from the coffee shop and went into my study, I found that the desk (etymologically another disk or dish) where I usually read had several small stones on it. They weren't there when I left; I later found my wife had just acquired them and hadn't found a place to put them yet.


Small stones sync with the Brother of Jared story, as he prepared "sixteen small stones" (Ether 3:1) for God to touch with his finger. There weren't 16 stones on my desk, but I guess there were 1 + 6, since the pyrite is clearly the odd man out.

In the afternoon, I taught an English class for very young children who are just beginning to learn the language. When I walked into the classroom, I saw that someone had started and abandoned drawing a rainbow on the whiteboard:


This syncs with the "Rainbow" song I heard in the coffee shop. A mostly-red rainbow also made me think of Ted Hughes -- "Where sun and moon alternate their weathers / To hatch a crow, a black rainbow" -- in connection with "Red crows of the Sun" and my childhood belief that all crows "were in fact red birds from outer space, cleverly disguised as black ones from Earth." If Hughes had been aware of that fact, he would have realized that the sun and moon were actually hatching a red rainbow, bent in emptiness, over emptiness, but flying.

Chinese students of English often forget to add -s to plurals and such, and sometimes they overcompensate by adding it where they shouldn't. In the red-rainbow class today, a girl answered a question with "Nose, I don't." One of her classmates responded, "Nose I don't 就是我沒有鼻子的意思!沒有鼻子的人一定是外星人!妳知道外星人嗎?" ("Nose I don't means 'I don't have a nose'! A person without a nose must be an alien! Do you know about aliens?")

I have never said one word to these kids about "aliens," but I swear sometimes they pick up on things through subconscious telepathy.

Saturday, September 30, 2023

Where Dreamers Become Doers

This evening I was about to go to a particular coffee shop to read, but the thought suddenly popped into my head, "No, go to the night market first" -- even though that was very much out of my way. I tend to follow these random whims unless I have some good reason not to, so off to the night market I went.

On my way there, there was an electric scooter in front of me on the road, with a man operating it and a woman sitting behind him. The back of her short skirt was pinned to the scooter seat, but the sides were freely blowing in the wind. I idly thought, with the sort of perfunctory prurience which still strikes me from time to time even though it's been quite a long time since I was twelve years old, "I wish she would shift a bit in her seat and the wind would blow the whole skirt up. Maybe if I will it to happen, it'll happen." It was a shameful and ridiculous thing to think, and of course it didn't happen. At the next light, the scooter continued straight, and I turned right to go to the market.

Before going out, I had just finished reading the novel The Unseen by Mike Clelland, an author I discovered last year when I read his non-fiction book The Messengers: Owls, Synchronicity, and the UFO Abductee. Owls in connection with gray aliens are Clelland's specialty; he is known in paranormal circles as "the owl guy." Central to the plot of The Unseen (which of course also features owls and aliens) is a peyote-inspired painting called The Dream and a black T-shirt with the word dream printed on it. I discussed synchronicities related to this "dream" theme, and to the name Freeman, in my last post.

Almost the first thing I saw upon entering the night market was a man whose T-shirt had an enormous owl printed on it, covering almost the whole torso, and then a woman with a black T-shirt that said dream, exactly as in the novel. Less than a minute later, a man walked past with a gray alien head printed on his baseball cap, and then a Vietnamese woman with three gray alien heads tattooed across her cleavage. "Oh," I though, "it's going to be one of those nights," and it was. I wandered around the market for about an hour, and in that time I counted six different owl-themed T-shirts, plus a stand that was selling owl-themed ceramic chopstick rests, and so many instances of the English word dream -- in a Chinese-speaking country, remember -- that I lost count. Most of these were on people's clothing, so I didn't get a chance to photograph most of them, but I got a few. The first one I saw was this bath mat:

Immediately after I photographed that, two people with English T-shirts walked past. The first said "FREEMAN"; the second, "CHOOSE." All dreams come true, freeman, so choose your dreams well.

Here are two others I managed to capture, both on the backs of T-shirts:


There were lots more like this. These are just the ones I managed to snap photos of. Everywhere I looked, owls, aliens, and dreams coming true. "Where Dreamers Become Doers" made me think of my earlier thought about the woman on the scooter: "Maybe if I will it to happen, it'll happen" -- if our thoughts affect reality, then dreaming becomes a kind of doing.

After finishing at the night market, I was going to go home, but then I thought, "No, I think I'll still go to that coffee shop after all." On my way there, I was thinking about all the crazy synchronicities I had just experienced and wasn't paying overmuch attention to my surroundings. While stopped at a red light, though, I became aware of the scooter in front of me and -- you've got to be kidding me! Yes, it was that scooter again. I had been behind them when I was on my way to the night market and they were on their way to wherever they were going, and now an hour later we were both on our way back, and I was behind them again!

The light turned green, and I guess she was sitting a little differently this time, because her whole skirt immediately blew up in the wind, revealing -- whoop-de-doo, some random lady's underpants, not the slightest bit interesting or titillating. In fact, it made me angry. I felt like the sync fairies were mocking me: "Sure, we'll make your dreams come true. It's not our fault if you happen to have the dreams of a retarded twelve-year-old!" I pulled the throttle and passed the scooter, leaving it behind me as fast as I could. "Choose, freeman." Okay, here's my choice, you sick fucks: not this.

I arrived at the coffee shop, got my coffee, and sat down to read the Book of Mormon. (Yes, I'm aware of the irony here.) As fate would have it, my bookmark was near the end of the Book of Alma, and I proceeded to read about the final victory of the Nephite faction known as -- of all things -- the freemen.

At one point I got up and went to a sideboard to get some paper napkins. There was a brochure there about the different kinds of cakes you can order. I hadn't the slightest interest in cake, but I felt a sudden compulsion to open it. I opened right up to an owl staring at me:

I remember last time I read a Mike Clelland book, it triggered a sync-storm, too. But hey, it was my choice to read it, right?

Monday, February 13, 2023

All this UFO stuff is fake, by the way


I think most people who know me know that I accept the reality of close-encounter phenomena, so it is necessary to make my position clear: The current UFO hooha that's all over the news is 100% guaranteed fake and gay. They're testing the waters, and depending on how willing people are to entertain it, it's likely to become the next "you must be this stupid to ride" litmus test.

Nine months ago, I wrote "The time for UFO disclosure is now."

Why now? Because the government, the military, and the press have finally achieved zero credibility. They can "disclose" whatever they like, and people won't panic because they'll still feel deep down that it's all got to be BS. Boys who cry wolf may speak freely.

Not that people won't "believe" the disclosures, of course. Watch for a time when belief in UFOs and little green men is mandatory, and those who peddle laughable conspiracy theories about lenticular clouds and weather balloons will be tarred as "ET deniers" or whatever the term ends up being. ("Xenophobes" is already taken, I'm afraid.)

I'm not sure yet if they're going to go all in with this or not -- it all depends on how the public reacts -- but I think the chance is pretty high. The "AI" thing was a big hit, so this is probably the next logical step.

Monday, January 30, 2023

Opening the door to a meteor

I happened to read this yesterday in Land of the Rainbow Snake, a collection of Australian aboriginal stories collected and translated by Catherine Berndt. A boy has been taken captive by a bad namarudu.

Next day the bad namarudu went out hunting by himself. He left the boy in the cave with the others. As soon as he had gone, the good namarudu came along. 'Open the door for me!' he called. 'I want to come in.'

They opened the door of the cave for him, and at once he ran in and picked up the child. He took him quickly home to his parents' place. As they came near the camp, the good namarudu called out to let them know who he was. 'Listen to me, you who live down there on the ground!' he cried. 'I've brought back this little boy who was stolen from you! And so later on you listen to us, my brother and me, when we fight together.'

The child's father and mother were very happy. 'Oh,' they said, 'how kind you are to bring him back to us! Oh, we do like you!'

In a brief afterword, the translator explains what a namarudu is.

Namarudu spirits are really meteors, or falling stars, or thunder-and-lightning spirits, although they may take other shapes. They dance about a person's spirit after death, and the sound they make is like thunder. They are not always hostile, but people are apt to be afraid of them because of their strange lights and noise. They live among the rocks and travel about the sky, but in many ways they behave just like human beings do.

I was a bit surprised to run into the "open the door" motif in the oral traditions of hunter-gatherers. I had wrongly supposed that doors would not really be part of their world.

Namarudu illustration by Djoki Yunupingu

Note added: I believe this is the first time I have ever posted anything about Australian aborigines. Checking Synlogos today, I find that Rev. Matt also posted about Australian aborigines today. The timestamp on my post is 2:18 p.m., and his is 2:48 p.m. -- a difference of exactly half an hour, unless he's in a part of Australia that's in a different time zone from Taiwan.

Monday, January 9, 2023

Gordon Lightfoot's UFO song

If you know the movie, you know this scene.

I wouldn't say that Communion (1989) is one of my favorite films, but I just love the fact that it exists: the story of alien abductee Whitley Strieber, played by Christopher Walken, with a soundtrack by the great Eric Clapton. Strieber comes from a Catholic family with deep roots in San Antonio, but Walken, apparently going by his German surname and Manhattan workplace, plays him as a neurotic New York Jew who says things like "Oy vey, what a day, what a schmear!" and describes his alien visitors as "little blue fuckers about that big."

I dreamed that I was watching that movie, but some of the scenes were different. There was a scene where Strieber was having a beer with Budd Hopkins (who does not appear in the real film, having been replaced by a fictional female psychologist) and kvetching about the aliens that had been making themselves at home in his cabin. "I'm telling ya, Budd," he says, "these rats run around like they own the place!"

Upon waking, I realized that that was a line from the Gordon Lightfoot song "Circle of Steel" (1974) -- and then that the opening lines of that song sound an awful lot like a reference to a UFO.

Rows of lights in a circle of steel
Where you place your bets on a great big wheel
High windows flickerin' down through the snow

A circle of steel with rows of lights sounds like a flying saucer, and the windows of a house don't "flicker down through the snow," so they must be the windows of something that is descending, such as an aircraft or spacecraft. (I honestly have no idea what Lightfoot is really talking about here. Roulette wheels aren't steel and don't have rows of lights. Is it a Ferris wheel? If so, how is that relevant to the rest of the song?)

There's also this line, which could as easily be about the wee folk as about Child Protective Services.

The child is strong
A week, a day, they will take it away

Although Lightfoot obviously intended nothing of the sort, this reminds me of "The Fairies" by William Allingham:

They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.

A further coincidence is that "Circle of Steel" is set at Christmastime, as is Communion.


Update: What is Walken best known for? The “more cowbell” sketch, featuring the song “Don’t Fear the Reaper.” Hours after posting this, I put my music on random shuffle, and the first song it played was this:

Sunday, August 14, 2022

Flexible graphite arms, purple rubber, and remote viewing

On the afternoon of August 13, the same student who randomly mentioned owls serving as alarm clocks in colonial America asked if she could tell me about a dream she had had about a month ago.

In the dream, she was visited by small purple aliens "from a Blue Planet, but not like Earth because they actually classify Earth as a Green Planet," and they took her on board one of their "flying laboratories" to show her how new aliens were created. "They wanted me to see it because they were really proud of how the whole process works. I didn’t mind, because these aliens are always quite respectful. I'm a bit frightened of them, but only a bit."

There were two big machines in the lab. One made the body parts, and the other assembled them. "First you make the arms, and you have to put, uh, this into the machine" -- and she held up a case of refill lead for a mechanical pencil.

"Lead?" I said.

"No, this. It's not actually lead."

"It's actually graphite."

"Yes, graphite. And the machine uses that to make the arms. When they come out, they're not attached to anything, and they're kind of wiggling and wobbling all over."

"Really? But pencil lead isn't very wiggly."

"I know, but that's how the machine makes it. Their arms are really quite wiggly. They're strong, but they don't actually have any bones."

She went on to explain how the rest of the body -- the torso and the head (this kind of alien levitates and doesn't have legs) -- is made by putting different material into the same machine. The material for the rest of the body is purple rubber. Finally, the arms, torso, and head are put in the second machine, and a complete alien comes out.

"When the alien came out, they told me not to touch it, because it was still very -- you know, it breaks easily, like glass."

"Fragile."

"Yes, the new baby aliens are extremely fragile, and they're transparent. They aren't purple yet. You have to wait a bit until it's safe to touch them -- well, you still can't really touch them. You have to wear special gloves like this." She sketched a glove with webbed fingers and drew small circles all over it.

"What are those circles?"

"They're like what an octopus has on its tentacles, they use those gloves to move the babies when they're still fragile -- they didn't let me do it -- and they put them in, I guess it's called a flying nursery, where they stay until they're purple."

"Who takes care of them? I guess they don't have moms and dads if they come out of a machine."

"No, they don't, but there are adult aliens that take care of them. They showed me a bit of the flying nursery, too. They had this thing they were really proud of : an oven, and they would put the babies in the oven."

"They put the babies in an oven? Why did they do that?"

"Well, I guess it's not really an oven. I just called it that because when they opened it I could feel that it was quite warm inside. What it does, is it makes them grow up faster. Well, not grow, because the babies aren't smaller than the adults, but they become adults faster. You can put transparent babies in there, and when they come out they're a bit purple -- not completely, but they've started to become purple. And normally that would take weeks. They've really sped up the process."

"Why do you think they wanted to show you all this stuff."

"They were just proud of it, and when you've done something you're proud of, you want to share it with other people and help them understand it a bit."


Shortly after hearing about this dream, I tried to visit Synlogos, but autocomplete unexpectedly took me instead to SynchroMiss -- a blog I visited months ago when I was methodically going through a list of links to 2009-era sync blogs. The most recent post, "SATuRN STRANger TRANSgender," included this:


Just after I had expressed incredulity that something made of graphite could be "wiggly," I run across this reference to an "incredibly stretchy" material made from graphene.

The reference to pencil lead really being graphite, and in the context of "arms," also syncs with this comment of mine about pencil points, bullets, and "Graffites."

Even the "purple rubber" from which the rest of the alien is made is a sync.

On August 6, I started using the RV Tournament app to practice remote viewing. They give you target coordinates and let you sketch and write notes on the screen. Then they show you two photos, and you guess which was the target image and state your level of confidence. The next day, the correct answer is revealed, and your cumulative score is adjusted based on whether you were right or wrong and how confident you were.

For my first attempt, I decided to keep it simple by trying to get only the predominant colors of the target image, ignoring everything else. The color I got was purple, but then, despite my intention of focusing only on color, I got a spontaneous mental image of a torus, or doughnut shape, and scribbled that down, too.


Neither of the target images was purple, but one of them featured tori, and I correctly chose that one with 90% confidence.


So I saw purple torus when the target image was actually some rubber tori. Later my student would report her dream in which aliens were made of purple rubber.

So far I'm doing okay in RV Tournament, although the number of trials is still too low to draw any real conclusions.


The chances of getting at least 5 out of 6 right by dumb luck are 7/64, or about 11% -- nothing particularly remarkable. And my mental images are extremely crude -- usually enough to choose Image A over Image B, but not enough to describe the target image itself in any real detail.

Ace of Hearts

On the A page of Animalia , an Ace of Hearts is near a picture of a running man whom I interpreted as a reference to Arnold Schwarzenegger....