Showing posts with label Sorath. Show all posts
Showing posts with label Sorath. Show all posts

Tuesday, May 25, 2021

Scattered thoughts on the Ganymede model (virtue sets)

"G" of the Junior Ganymede is writing about virtue sets again, and incorporating some of my own work in that area. Most importantly, he now agrees with me that all individual virtue sets are examples of two complementary types of good (Ahuric and Devic) and two complementary types of evil (Luciferic and Ahrimanic). I'm going to go ahead and dub this four-factor theory of good and evil the Ganymede model, unless G strenuously objects and suggests a better name.

Since someone else is also working on this now, I am, in the interests of creative cross-pollination, going to throw out several half-developed ideas in the hope that some of them will fall on fertile ground.


In defense of opaque terminology

G says he doesn't really like my terminology (Ahuric, Devic, Luciferic, Ahrimanic), but I would like to insist on it and on the importance of not replacing it with more descriptive terminology such as Active/Passive, Masculine/Feminine, etc. Essentially, I think the observation that there are two complementary types of good and two complementary types of evil is prior to any hypotheses about the fundamental nature of these goods and evils. It is important to keep in mind that I arrived at the Ganymede model inductively, by looking at lots of individual virtue charts. This inductive -- "botanical," as it were -- classification of good and evil comes first. Theories about why there are two types of good and two types of evil, and about how these may relate to other concepts, come later. To use descriptive titles rather than just names is to make unjustified presuppositions.

As I explained when I originally introduced the terms, Zoroastrianism contrasts good ahuras with evil daevas, while Hinduism contrasts good devas with evil asuras. The terms are assumed to be etymologically related, but the moral polarity is reversed. These four words, then, would be perfect for the Ganymede model. Asuric evil distorts Ahuric good and opposes Devic good; Daevic evil distorts Devic good and opposes Ahuric good. In practice, though, I think the terms are too phonetically similar to be practical, and would be easily confused. Since Steiner's Luciferic/Ahrimanic distinction fits the Ganymede model so well and is already well established, and since Ahriman happens to be the Zoroastrian name for the enemy of the ahuras, I decided to keep Steiner's terms for the two evils and use Ahuric and Devic for the two goods.

I think the fact that most of the terms are of non-Christian origin is a feature, not a bug. It keeps the terms free of unwanted baggage, since we Christians are unlikely to get sidetracked by arguments over whether Ahriman is truly "Ahrimanic" or the devas are truly "Devic." Lucifer, of course, is a name used in Christianity, so we just have to accept that we're using it in a technical sense in the Ganymede model and are not necessarily claiming that the Lucifer of scripture is specifically "Luciferic" rather than "Ahrimanic" in nature.


Nietzsche again

I've mentioned Nietzsche's discussion, in The Genealogy of Morals, of Gut-und-Böse versus Gut-und-Schlecht, and identified Böse and Schlecht with Luciferic and Ahrimanic, respectively. The other day I got out The Genealogy of Morals to review some of the specific things Nietzsche had said about this. My copy of this work is bound together with The Birth of Tragedy, which made me realize that another famous Nietzschean dichotomy may also be relevant: Apollinisch vs. Dionysisch. Isn't it obvious that Apollo is Devic/Ahrimanic in nature, while Dionysos is Ahuric/Luciferic?


Throwing Dante into the mix

Dante's Purgatorio groups the Seven Deadly Sins into three categories: perverted love, insufficient love, and excessive love. Our model tends to identify supposed "excess" of virtue with perversion or distortion of virtue. It would be an interesting exercise to give the Seven Deadly Sins the Ganymede treatment.

From Barry Moser's illustration for Allen Mandelbaum's Dante


What about Sorath?

Bruce Charlton and I, in our thinking about Steiner's Lucifer and Ahriman, have both come to place more and more emphasis on a third sort of evil, the Sorathic, and to see it as being just as important as the other two. How does Sorathic evil fit into the Ganymede model? Does it have as its opposite some third type of good?


Masculine and feminine

Looking at lists of Ahuric and Devic virtues, I found that the first list made me think of Jesus Christ and the second of Our Lady. This led me to the tentative conclusion that these two types of good corresponded to masculine and feminine, and that the Ganymede model helped to explain why the two sexes were necessary and eternal.

I had also at one point thought of Ahuric good as primarily "seeking good," and Devic good as "avoiding evil." I was not really happy with those descriptions, though, since "avoiding evil" can be accomplished perfectly by not existing at all! Both types of good must be in some way positive and active, not merely negative and passive.

In his latest post on the topic. G helpfully summarizes the two types of good in a rather different way.

In a virtue set, one complementary virtue will be [an Ahuric] virtue of strength and passion.  The other complementary virtue will generally be a [Devic] virtue of control and discipline.  The matching vices will be [Luciferic] vices of uncontrolled strength and passion and [Ahrimanic] vices of a lack of strength and passion.

This startled me because, by "coincidence," my wife and I had just hours earlier been discussing (without reference to the Ganymede model) the question "What is masculinity?" and kept coming back to the idea of control and discipline as definitive masculine characteristics. My wife also mentioned that very masculine men -- Ernest Hemingway, Humphrey Bogart, James Bond -- sometimes seem to be almost emotionless and not to care about anything. Since I had provisionally been thinking of Ahuric as masculine and Devic as feminine, it came as a shock to see G (correctly) identify Devic virtue with "control and disciple" and Ahuric virtue with "passion." Clearly the relationship of masculinity and femininity to Ahuric and Devic good is more complicated than I had been assuming.

Apropos of this, Ron Tomlinson left this comment on my post "Satan divided against himself" -- a post which discussed Lucifer and Ahriman extensively, before I had developed the Ahuric/Devic concept.

Good men tend to err on the side of Luciferanism (pursue good by evil means)
Good women tend to err on the side of Ahrimanism (avoid evil by playing it safe)

Bad men are often Ahrimanic, e.g. those who pursue power/promotion
Bad women are often Luciferan, e.g. overweight with tattoos

Again, this suggests that sex is an important element in the Ganymede model, but not in so straightforward a way that we can simply identify each sex with one type of good or evil.

Monday, April 19, 2021

Nothin' but mammals

Would it surprise you to know that one of the proximate inspirations for my previous post, "Satan divided against himself," was the Bloodhound Gang song "The Bad Touch"?


My wife, bless her heart, is something of a Maroon Five fan. (Like I can talk, right?) The other day she was listening to "Animals," which begins thus and continues in more or less the same vein.

Baby I'm preying on you tonight
Hunt you down eat you alive
Just like animals, animals
Like animals-mals

And I thought, "You know, this is like what 'The Bad Touch' would be in an alternate universe where Jimmy Pop was -- as Bugs Bunny might have put it -- a maroon." The same basic idea, minus the wit.

So I got up YouTube and listened to "The Bad Touch." Then I listened to it again, and again, and -- oh, probably about a dozen times in two or three days. And I thought, "What am I doing? What on earth is making me want to keep listening to this vulgar, sophomoric dreck?" And then I realized that what was driving me was an overwhelming feeling of nostalgia for a more wholesome time.

Let me repeat that: This crass-to-the-max four-minute dirty joke about doing it like they do on the Discovery Channel filled me with nostalgia for a more wholesome time. How I wish I could go back and report this observation to the people of 1999! What could they possibly make of it? "The Bad Touch" must surely have seemed at the time like the nadir of music's descent into garbage.

I say "must surely" because I wasn't there, not really. I was a homeschooled Mormon kid who grew up in the country, and when we occasionally dusted off the TV it was only to watch PBS. In 1999, when "The Bad Touch" was released, I was a missionary in Utah and didn't know anything about it. So my nostalgia's not for this song specifically, as if I used to listen to it all the time in junior high or something. Pop culture nostalgia's not really a thing for me. I never even watched the Discovery Channel! It's just a feeling that the culture that produced it was a much more wholesome culture than the one in which we now live.

Trying to understand that feeling, I zeroed in on the line "You and me, baby, ain't nothin' but mammals." The message of the song, while evil, is at least organic -- the natural man, return to monke. It is like a modern song in that it makes no pretense of being about "love" (except "the kind you clean up with a mop and bucket"), but conspicuous by its absence is any hint of the robot/alien/androgyne aesthetic, any overt reference to Satanism or blood sacrifice, any winking allusions to secret societies or MK-ULTRA mind control. It's just some dudes being jackasses -- being mammals -- and having fun. When was the last time mainstream evil was fun?

"You and me," baby? Speak for yourself!

(Incidentally, remember when every pop song was about love? Didn't it seem like that was something that would always be true? Even Aldous Huxley didn't imagine a dystopia without that.)

Scrolling through the comments on YouTube for "The Bad Touch," I find that a lot of them are saying how a song like this could never be released today, that people would find it far too offensive. Someone even said the lyrics "would make Cardi B blush" -- you know, Cardi B, who sings "Wet-Ass Pussy." Keep in mind that "The Bad Touch" is much less explicitly obscene than contemporary music, and that the only word they had to bleep out in the "clean" version was "doggy." But it's still true: people would be offended if it were released today. Doing it like they do on the Discovery Channel has too much of nature in it, too much of creation. Evil has moved on. Ahriman is the flavor du jour.

Of course, it's even more obvious that "The Bad Touch" could never have been released in, say, the 1950s. It represents a particular stage in the development of evil, in the gradual unfolding of les fleurs de mal. It came, it went, and it's gone. There will be no return to monke. Sorath is the future.

"Me and you do the kind of stuff that only Prince would sing about" -- in retrospect "Party Like It's 1999" has taken on a whole new meaning.

Satan divided against himself

Disclaimer: My terms are borrowed (by way of Terry Boardman and Bruce Charlton) from Rudolf Steiner, but I cannot claim to be using them in anything like a strictly Steinerian sense. In fact I have read only a tiny fraction of Steiner's voluminous output and assimilated only a tiny fraction of that. However, his demonology has long since taken on a life of its own.

These are just some tentative notes. I neither pretend nor aspire to be an expert on evil.


Sorath

MEPHISTO:
I am the spirit that negates.
And rightly so, for all that comes to be
Deserves to perish wretchedly;
'Twere better nothing would begin.
Thus everything that your terms, sin,
Destructionevil represent—
That is my proper element.
-- Goethe's Faust (Walter Kaufmann's translation)

By Sorath I mean the principle of evil at its purest, the devil of all devils, Goethe's "spirit that negates." God is the love-motivated Creator, and Sorath is the hate-motivated anti-Creator, who opposes all creation -- who thinks it "better nothing would begin" and that all that has begun "deserves to perish wretchedly."

Sorath's ultimate goal is that nothing at all exist, including Sorath himself. Does Sorath exist, then? Perhaps not. Perhaps it is not possible that he should. It may be possible to be God, even to be Lucifer, but not to be Sorath. After all, who can fail to see the self-contradictory nature of the statement, "I am the spirit that negates"? Sorath should probably not be thought of as a person at all, but as the hypothetical limit to which evil converges. Appropriately, Sorath is not a name from folklore, not a demon people are actually said to have interacted with, but an artificial creation of Steiner's, made from the Hebrew numerals for 666.

God is, ultimately, a Person -- and, pace Yeats, there is no Deus Inversus, no equal and opposite God of Evil, no Angra Mainyu ("Ahriman" in the original Zoroastrian, non-Steiner sense of that name). Devils who are persons certainly exist, but the devil of all devils is an abstraction, a mathematical limit which none of them can quite reach. And the name we give to this limit, this outer darkness, is also mathematical: Sorath.

We may nevertheless speak, and not altogether figuratively, of "what Sorath wants" and what it means to "serve Sorath."


What Sorath is up against

Sorath is against creation and against Creator -- that is, against existence, against being as such -- so any understanding of Sorath's battle plan must begin with answering that ever-popular question, Why is there something rather than nothing? (And, yes, I intend to answer that little question en passant and then forge ahead with my demonology. This attitude is, incidentally, why there is something rather than nothing posted on this blog.)

Descartes, meet Berkeley. Berkeley, Descartes. Let's have each of you chuck your most famous Latin catchphrase into this here crucible and see what comes out, shall we? And . . . splendid: Esse est cogitari aut cogitare. "To be is to be thought, or to think." Sorath's enemies are thinkers -- God, the gods, and such humbler beings as ourselves -- and the combined harmonious thought of these thinkers, which is the creative Logos.

New thinkers think themselves into existence, oh, probably all the time -- beginning as "minor presences, riffraff of consciousness" (Iris Murdoch's phrase) and then, some of them, developing from there, some even to the threshold of Godhood itself.

But this is likely a one-way street. Thinkers don't ever think themselves out of existence -- how could they? How could you cease, by an act of will, to have an active will? To say, or think, "I will my own annihilation," you have to say I will. Existence cannot be undone.

Thinkers -- excepting perhaps those dragons and titans and hecatoncheires who came into being before there was a Logos -- have a natural tendency to think and act in harmony with the Logos. At first, at the most rudimentary levels of development, this tendency is almost wholly passive and unconscious. "For behold, the dust of the earth moveth hither and thither . . . at the command of our great and everlasting God" (Hel. 12:8) and "even the wind and the sea obey him" (Mark 4:41).

As a thinker develops, though, and becomes increasingly active and conscious, the possibility of deliberately rebelling against the Logos begins to emerge. Sorath wants to persuade as many as possible to choose that path, with the ultimate goal of undoing creation, reducing the cosmos, if not to nothing at all, at least to chaos.

The problem, though, is how to persuade anyone to join you when you have quite literally nothing to offer. The devil of all devils wants everyone "to choose captivity and death, . . . that all men might be miserable like unto himself" (2 Ne. 2:27). Uh, what's the selling point again?


Ultimately, many can and will choose just that -- will say, "Evil, be thou my good!" and walk willingly into hell -- but they must be brought to that point by a circuitous route. That's where Lucifer and Ahriman come in.


Lucifer

In The Song of the Strange Ascetic (which I discuss here), G. K. Chesterton imagines how he would have lived if he "had been a Heathen" and expresses bafflement at the choice of an actual heathen called Higgins -- a sort of Caspar Milquetoast of heathenism -- not to live that life. Heathenism, we are to infer, is as much wasted on the heathens as youth is on the young.

A heathen Chesterton would have filled his life with wine, love affairs, dancing girls, and glorious military campaigns against the Chieftains of the North. He would have served Lucifer, in other words -- pursued forbidden pleasures -- and doesn't quite get this Ahriman fellow whom the prissy bourgeois Higgins chooses to serve instead.

Lucifer is all about wine, women, and song. Those who follow Lucifer are motivated by pleasure rather than the avoidance of pain, and are willing to embrace risk, danger, adventure, even a sort of heroism, in its pursuit. They do not shy away from violence and may even revel in it. Alcibiades, Casanova, Blackbeard -- Falstaff, even. (Not Epicurus, who, despite the modern connotation of his name, was a consummate Higgins.) This is the most relatable and accessible form of evil, the sort a good man like Chesterton could easily fantasize about embracing. "Gateway drug" is the term, I believe.

Why call this aspect of evil Lucifer? Well, because Steiner did, obviously, but we can also invent an ex post facto etymology for it. Lucifer, "light-bearer," is from the Latin lux, "light," but we can imagine that it derives instead from luxus, "luxury, debauchery." Also, Lucifer was originally a name for the planet Venus -- whose other name is that of the ancient Roman goddess of sex, drugs, and rock-'n'-roll.


Ahriman

How did Satan become Satan? Joseph Smith, the Prophet, proposes a somewhat novel origin story for this supervillain: One of the angels comes before the Lord and proposes, "send me, . . . and I will redeem all mankind, that one soul shall not be lost." And it is for this offer of universal salvation -- because, that is, he "sought to destroy the agency of man" -- that he is cast out of heaven and becomes the devil (see Moses 4:1-4).

If Lucifer seeks pleasure, Ahriman seeks control. Note that this is not necessarily the same thing as seeking power. Those who serve Ahriman may seek to be in control themselves, but more often their goal may simply be that everything be under control. Hierarchy is of Ahriman, because even those who are far from the top have no objection to it. Even an Ahrimanist who has the ability to control things personally will generally defer these personal decisions to a system or algorithm, personal responsibility being unpleasantly risky. A near-perfect example of Ahrimanic man is the 2020s birdemicist, happy to submit to house arrest, universal surveillance and censorship, and forced medical procedures -- rather than take a chance of catching the flu. "Non serviam" is Lucifer's motto, not Ahriman's; if Ahrimanism were condensed into a two-word motto, it would be, "Safety first" -- or, if more than two words are needed, "None are safe until all are safe" ("that one soul shall not be lost").

Lucifer's motivation is positive: the pursuit of pleasure. Ahriman's is negative: the elimination of risk. Lucifer's focus is personal; Ahriman's, universal. Thus Ahriman, though less obviously "evil" than Lucifer, is actually considerably closer than Lucifer to Sorath, to the pure and universal "spirit that negates."


Evilution


Suicide has cause and stillbirth, logic; and cancer, simple as a flower, blooms.
-- Karl Shapiro

Conceptually, Sorath is primary, and I have discussed him first. Chronologically, in the evolutionary development of evil, he comes last. The natural progression is from Good to Luciferic, from Luciferic to Ahrimanic, and from Ahrimanic to Sorathic.

First, the good are tempted by forbidden pleasures, and by forbidden means of pursuing good ends, and embrace the ethos of Abbey of Thélème: Fay ce que vouldras, "Do what you want."

This Luciferic playing-with-fire leads to predictable results, people begin to feel that the world has become a chaotic and dangerous place, and they turn to Ahriman. We can see a clear example of this if we look back at the past half-century: As the flower children (those fleurs de mal) blossomed into flower fogeys, a movement that began with free speech, free love, and letting it all hang out evolved organically into the world of PC, sexual harassment prevention training, and a superstitious horror of the "inappropriate."

As Ahriman drains the world of its charm and turns everything into management and bureaucracy, as he extinguishes joy and the memory of joy, as everyone, to one degree or another, is assimilated into his soulless system, mutual respect becomes impossible, more and more people live in a state of barely suppressed rage, and the prospect of burning everything to the ground becomes increasingly attractive. Sorath has arrived.


The Blood War

When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of Death;
When souls are torn to everlasting fire,
And fiends of Hell rejoice upon the slain,
O who can stand?
-- William Blake

In the Dungeons and Dragons cosmology, one of the defining features of the "Lower Planes" (hell) is the Blood War -- the interminable conflict between the chaotic-evil (Luciferic) demons and the lawful-evil (Ahrimanic) devils, with a third class of neutral-evil (Sorathic?) fiends manipulatively playing each side against the other. So -- did the D&D guys get hell more or less right? Was old Gary Gygax privy to one or two of the deep things of Satan?

If the Blood War did not exist, Sorath would have to invent it. Remember what Sorath wants -- for men to hate the good as such and to pursue evil strictly for the evulz -- and how contrary to human nature that is. How to get us humans to sail against the wind of our own deepest nature? By tacking, of course.

  • Sorath's goal: Avoid good, pursue evil
  • Human nature: Pursue good, avoid evil
  • Lucifer tack: Sacrifice the avoidance of evil in order to pursue good (e.g. to seek pleasure)
  • Ahriman tack: Sacrifice the pursuit of good in order to avoid evil (e.g. to be "safe")
Clever little devil, right? But so far this is just tacking, and no one ever said tacking was hell. War is hell. That's the next step. Notice that the Lucifer tack and the Ahriman tack are polar opposites and are both evil. With just a bit of nudging, we get this:
  • Sorathized Lucifer: Sacrifice the avoidance of evil in order to destroy Ahriman!
  • Sorathized Ahriman: Sacrifice the pursuit of good in order to crush Lucifer!
Rage against the machine! Machinate against the rage! Behead those who insult Sorath -- who, for his part, claps his broad wings above the battle and sails rejoicing in the flood of Death. O who can stand?


La fin de Satan?

And he called them unto him, and said unto them in parables, "How can Satan cast out Satan? And if a kingdom be divided against itself, that kingdom cannot stand. And if a house be divided against itself, that house cannot stand. And if Satan rise up against himself, and be divided, he cannot stand, but hath an end.
-- Mark 3:23-26

Given what we have discussed thus far, what are we to make of this statement attributed to Jesus? 

Victor Hugo's unfinished poem does not really address the matter; I have pilfered the title because of its ambiguity. La fin de Satan could mean the annihilation of Satan, or it could mean Satan's objective, his telos (which is in fact the word used in Mark) -- and, wait, are those even two different things? Didn't we say that "Sorath's ultimate goal is that nothing at all exist, including Sorath himself"? La fin de Satan est la fin de Satan.

Jesus, in the passage quoted, is responding to the claim that "by the prince of the devils casteth he out devils." The implication is that devils obviously don't work that way, because if they did, the whole enterprise of devilry would have collapsed long ago, torn apart by infighting. The continued existence of Satan is proof that Satan is not in the habit of undermining himself, and thus that the whole idea of a power-of-Satan-compels-you exorcist is inherently implausible.

Everything I've written in this post thus far -- Lucifer vs. Ahriman, the Blood War, all that -- seems to be saying that the kingdom of Satan succeeds by being divided against itself, and thus that Jesus was wrong. Well, as a Christian, I obviously can't leave it at that!

The easy way out would be to point out that this quote from Jesus does not appear in the Fourth and most authoritative Gospel, that Mark consists of notes compiled by a non-witness, and that Jesus may well never have said anything like this. Honestly, though, it sounds quite Jesusy to me, and I believe he probably did say it or something like it.

Another possibility is that Jesus was speaking specifically about exorcism. Back when I still believed the mainstream idea that Mark's was the most trustworthy Gospel and was focusing my studies on it, I went so far as to read an entire book called Demonic Possession in the New Testament, by William Menzies Alexander. Alexander draws a distinction between possession by "demons" or "unclean spirits" (a condition cured by Jesus on many occasions) and possession by "Satan" (attributed only to Judas Iscariot). The latter (which also has the distinction of being the only "possession" mentioned in the Fourth Gospel) is clearly moral in nature and leads to damnation. In contrast, those troubled by "unclean spirits" are treated as victims who bear no moral responsibility for their condition. The other important point that Alexander makes is that the wave of demon-possession described in Mark was a unique phenomenon, localized in time and space. With a few ambiguous exceptions like the case of King Saul, there is scarcely a hint of demon-possession in the Old Testament, nor does demon-possession in the Marcan mold appear to happen much in the modern world. (Satan-possession, in contrast, seems to be at an all-time high.) The demoniacs of first-century Palestine, a bit like the Convulsionnaires of Saint-Médard centuries later, appear to have represented a sort of spiritual outbreak or epidemic which flared up, spread through the population, and then burnt itself out -- with this last process perhaps expedited by the activity of Jesus and his disciples. If this phenomenon was the "Satan" Jesus' accusers were referring to, it would appear that its kingdom didn't stand, and it did have an end.

Something else to keep in mind is that Jesus' responses to critics or those who tried to catch him in his words generally worked on two levels. At the level of mere repartee, their purpose was to pwn and silence his opponents; at a deeper level, they were "parables" -- riddles -- conveying more substantive truth. For example, Jesus' famous statement about the unforgivable sin against the Holy Ghost was also a response to accusations that he used demonic power to cast out demons. As rhetoric, its message was, "Be very careful calling something demonic which may actually be from the Holy Ghost" -- but we can hardly conclude that mistakenly thinking a particular "miracle" may be demonic is the unforgivable sin! The deeper meaning of this statement is, well, deep, and a great deal has been thought and written about it -- almost all of which, rightly, departs from the statement's original rhetorical context.

So focusing too much on the conclusion "and therefore exorcisms are never performed by demonic power" may be much too narrow a constraint when it comes to understanding the deeper meaning of "How can Satan cast out Satan?" Rhetorically, it is supposed to work as a reductio ad absurbum: Satan obviously wouldn't undermine his own power; therefore, no exorcist is a servant of Satan. But those who think it out realize at that what it reduces to isn't absurd at all: Satan cannot stand, but hath an end. I mean, what's the alternative, really? That Satan and his works will endure forever? That Satan -- ce monstre délicat -- has eternal life?


What if they gave a Blood War and nobody came?

But I say unto you, That ye resist not evil.
-- Matt. 5:39

Yet Michael the archangel, when contending with the devil, . . . durst not bring against him a railing accusation, but said, "The Lord rebuke thee."
-- Jude 9

Jesus answered, "My kingdom is not of this world: if my kingdom were of this world, then would my servants fight."
-- John 18:36

But Jesus said unto him, "Follow me; and let the dead bury their dead."
-- Matt. 8:22

We are not here to fight in the Blood War. We are not here to contend against Satan and those who serve him. The example of the Messiah conspicuously not overthrowing the Empire should have made that clear enough. We are here to learn, to serve God, and to follow Jesus to eternal life. Anything else is a distraction.

Thursday, January 7, 2021

Joan of Arc under the sun of Sorath

In my post "Can you just choose a patron saint?" I quote Mark Twain's preface to his book about Joan of Arc, in which he emphasizes the contrast between the perfect goodness of Joan herself and the extreme evil of the times in which she lived -- "the brutalest, the wickedest, the rottenest in history since the darkest ages."

The purest form of evil is called Sorathic, from a word created by Rudolf Steiner out of the Hebrew numerals for 666. Steiner characterizes Sorath as the "Demon of the Sun" -- an evil Sun in opposition to the good Sun which is the Christ. This theme of the good and evil Suns is something I have explored in some detail at The Magician's Table.

Today an email correspondent mentioned that he had first learned about Joan of Arc by typing "joan the maid" into a search engine. For some reason, after reading that, I was immediately moved to do the same thing myself -- and then, when the search results came up, my mouse hand sprang into action as if directed by an intelligence not my own. Click-scroll-click-scroll-click, just like that -- so fast that I didn't have time to read anything and had no conscious knowledge of what I was clicking on, as if executing a series of steps long since rendered automatic by habit -- and I found myself staring at an article about a 1926 novel by Georges Bernanos called Sous le soleil de Satan -- Under Satan's Sun.

I am not exaggerating how very quickly this happened; and happened is the correct word, since to say I did it would imply that the conscious mind played a role. Checking my browser history to retrace my steps, I find that Joan the Maid is the English name of a 1994 French historical film starring Sandrine Bonnaire in the title role, and that this same actress starred alongside Gérard Depardieu in the 1987 film version of Sous le soleil de Satan.

What does this mean? Well, the most natural interpretation, I think, is that Joan is back because Sorath is back. She is here because she is needed. Maid of Heaven, pray for us!

I end with a quote from Oliver Cowdery which has been on my mind recently.

Man may deceive his fellow-men, deception may follow deception, and the children of the wicked one may have power to seduce the foolish and untaught, till naught but fiction feeds the many, and the fruit of falsehood carries in its current the giddy to the grave; but one touch with the finger of his love, yes, one ray of glory from the upper world, or one word from the mouth of the Savior, from the bosom of eternity, strikes it all into insignificance, and blots it forever from the mind.

Wednesday, December 9, 2020

Crazy like a fox

And he said unto them, Go ye, and tell that fox, . . .

-- Luke 13:32

Who reads Fox in Socks as prophecy? Nobody, that's who! -- said the man of many wiles to the Cyclops.

This will be an even more disjointed post than usual.

Anyone who reads The Magician's Table will know I've been on a Sun kick these days. I got started on it by reading a post by Richard Arrowsmith that mentioned a connection between the Sun card (the 19th trump) and the birdemic (also numbered 19). As I followed the links the synchronicity fairies gave me, I found that I was increasingly focusing on the idea of two contrasting suns -- epitomized by Superman's Red Sun of Krypton and Yellow Sun of Earth.

Today I realized (not until today!) that this is eerily similar to the path that Arrowsmith's own synchromysticism led him down way back in 2009 -- but his "other sun" was identified with Sirius, and Sirius is a blue star.

Arrowsmith's discovery, not mine; each quotation mark is a tiny i.

My other sun, in contrast, is red. Well, if Sirius is the most famous blue star, what's the most famous red one? Of course: Betelgeuse -- a star to which the sync fairies have already tried to draw my attention.

What does Betelgeuse have to do with Fox in Socks? Well, when beetles battle beetles in a puddle paddle battle and the beetle battle puddle is a puddle in a bottle…


... couldn't we say that this liquid full of beetles is now a bottle of beetle juice?

Incidentally, notice that there are four of these beetles and that, given the way they are beating each other with paddles, they might well be called beatles. As Fox in Socks was published in 1965, just a year after the most famous episode of the Ed Sullivan show, this is unlikely to be a coincidence.

The 6-by-6 magic square, traditionally associated with the Sun, adds up to 666. Rudolf Steiner created the name Sorath -- his "demon of the sun" -- so as to add up to 666 in Hebrew gematria. In the Hebrew system, the first nine letters correspond to the numbers 1-9, the next nine to the numbers 10-90, and the remaining four (for Hebrew lacks the 27 letters needed for a complete system) to the numbers 100-400. Thus, the 6th letter (vav) has a value of 6, and the 15th (samekh) has a value of 60. The 24th letter would be 600, but Hebrew only has 22 letters, so Steiner uses resh (200) and tav (400). He puts those four letters together to make Sorath (samekh-vav-resh-tav).

What if the same system were applied to English? Since the English alphabet is longer than the Hebrew, only three letters are necessary to make 666 -- and those three letters are FOX.


Fox is the English equivalent of Sorath, each being the shortest possible way of expressing 666 in its respective language.

Sorath, the sun-demon whose number is 666, obviously corresponds not to the Yellow Sun of Earth but to the Red Sun of Krypton. (The atomic number of krypton is 36, linking it to the 6-by-6 square.) We have tentatively connected this Red Sun with the star Betelgeuse.

The Fox in Fox in Socks is red, and the story ends with his being unceremoniously shoved into the beetle juice.


The juxtaposition of the Red Sun with blue beetles would have seemed perfectly natural to King Tut, whose pectoral shows just that combination.


And while Seuss must certainly have known of the Beatles when he wrote Fox in Socks, he could not have known of this particular record, released at a much later date in Mexico.

I don't remember "Pigguies"; do you?

"Here comes the sun!" say the four blue beetles as the red fox is pushed into their bottle.

If Fox is the Red Sun, his nemesis Knox -- who is yellow, and whose name recalls the proverbial "more gold than Fort Knox" -- is the Yellow Sun. This true Sun is Shamash -- for whom Samson was named. Samson, like Knox, caught foxes.

And Samson went and caught three hundred foxes, and took firebrands, and turned tail to tail, and put a firebrand in the midst between two tails.

And when he had set the brands on fire, he let them go into the standing corn of the Philistines, and burnt up both the shocks, and also the standing corn, with the vineyards and olives.

-- Judges 15:4-5

These fire-spreading foxes reinforce the identification of the fox with the sun. This is further strengthened if we look at the numbers involved: 300 foxes, 150 firebrands. Using the same system that told us FOX = 666, we can see that 300 corresponds to U, and 150 to SN.


(Cross-posted at The Magician's Table, despite its negligible Tarot content, due to its connection to themes discussed there.)

Ace of Hearts

On the A page of Animalia , an Ace of Hearts is near a picture of a running man whom I interpreted as a reference to Arnold Schwarzenegger....