Showing posts with label Hercules. Show all posts
Showing posts with label Hercules. Show all posts

Thursday, May 30, 2024

Humpty Dumpty sat on the counter

William Wright has a new post up, "Leon Eggbert and Sun-Moon Time," in which he analyzes that name: Leon Egbert, which was included in some of his "words." He begins by respelling the last name with a double-g and interpreting it as Egg-bert.

As I've mentioned before, the TV aspect of my childhood education was sadly neglected. However, one program I did watch religiously was Sesame Street, being a particular fan of the Bert and Ernie sketches. When Q*bert came up back in 2021, I thought of this:


And when I saw Eggbert, I thought of this sketch:


As the scene opens, we see Ernie with a feather duster and what looks like a small stone (cf. Vaughn J. Featherstone) but turns out to be an egg. The egg is just sitting there on the counter, much like Humpty Dumpty on the wall, and Bert asks Ernie to "put my egg away, please" -- that is, to "put Humpty Dumpty in his place again," as in the version of the rhyme favored by Ludovicus Carolus, that most holy illuminated man of God. Ernie begins making excuses and giving reasons for not restoring the egg to its proper place, to the point where we begin to suspect that, like the king's horses and men, he can't. Finally, the exasperated Bert says, "Drop it, Ernie," resulting -- thanks to Ernie's literal-mindedness -- in Humpty's having his great fall. As in my "Humpty Dumpty revisited," Humpty is still sitting on the wall (or counter) when he cracks.


The first element in the name Egbert doesn't actually have anything to do with eggs. It is related, rather, to our modern word edge, and the name as a whole means "bright edge," with the "edge" generally understood to be that of a sword. I think this fits with William Wright's ideas about Pharazôn, who did terrible things but whose story perhaps ends in redemption. In the Book of Mormon, the imagery of a bright sword represents the repentance and redemption of people who were once murderers:

Now, my best beloved brethren, since God hath taken away our stains, and our swords have become bright, then let us stain our swords no more with the blood of our brethren. Behold, I say unto you, Nay, let us retain our swords that they be not stained with the blood of our brethren; for perhaps, if we should stain our swords again they can no more be washed bright through the blood of the Son of our great God, which shall be shed for the atonement of our sins (Alma 24:12-13).

(There is perhaps a link here to "Makmahod in France?" Joan's sword was stained when she found it -- both literally and perhaps also figuratively with a long history of bloodshed -- but she kept it bright and never used it to shed blood herself.)

As in Egbert, so in Schwarzenegger does the egg element mean "edge." Arnold's surname indicates someone from Schwarzenegg -- "Black Ridge." This black edge obviously complements the bright edge of Egbert. Schwarzenegger has featured in past syncs here primarily in his role as Hercules in Hercules in New York. Interestingly, Hercules has recently resurfaced, and in connection with a ridge. In "Pumpkin-eating lizardmen, and Marshall Applewhite," I refer to a passage in Pausanias. Here it is:

On crossing the river Erymanthus at what is called the ridge of Saurus are the tomb of Saurus and a sanctuary of Heracles, now in ruins. The story is that Saurus used to do mischief to travellers and to dwellers in the neighborhood until he received his punishment at the hands of Heracles. At this ridge which has the same name as the robber, a river, falling into the Alpheius from the south, just opposite the Erymanthus, is the boundary between the land of Pisa and Arcadia; it is called the Diagon.


William Wright's identification of Humpty Dumpty as a bright egg possibly ties in with "With?" -- a bit of doggerel riffing on a nonsensical passage in Ulysses. The last two stanzas but one are as follows:

Xinbad the Phthailer maketh oft
Our polyvinyl chloride soft.

And last of all comes Darkinbad,
Who is Brightdayler hight,
Who'll go down in the dark abyss
And bring all things to light.

The sync fairies drew my attention back to this just yesterday. I was talking with a friend who runs a high-end cable company, whom I hadn't seen in six months. She told me about a problem they were having with the jackets of one of their new products, which were formerly made of PVC but recently changed to a different material because of pressure to phase out PVC in the European market for environmental reasons. The problem was that the new material was less flexible than PVC, causing it to crack slightly when the cables are braided. As I said, I hadn't seen her in half a year, and we very rarely talk about manufacturing issues in this kind of detail anyway, so hearing that so soon after I had randomly written about the softness of PVC (because I thought Phthailer suggested phthalates) was a noteworthy coincidence. In the same conversation, she happened to ask how to say "hail a cab" in English, which also ties in with the poem -- "Hinbad the Hailer traveled far / By riding in a yellow car."

In the next stanza, Darkinbad the Brightdayler goes "down in the dark abyss." In "Pumpkin-eating lizardmen," I had cited Aleister Crowley's reading of "Humpty Dumpty":

Humpty Dumpty is of course the Egg of Spirit, and the wall is the Abyss -- his "fall" is therefore the descent of spirit into matter . . . .

It's a little weird to say the wall is the Abyss -- surely he falls from the wall into the Abyss? At any rate, when I wrote the Darkinbad quatrain, I had no thought of Humpty's being "bright" or going into an "abyss"; these links were later supplied by William Wright and the Great Beast, respectively.

Saturday, December 30, 2023

A tower sufficiently high that they might get to Olympus

A couple of months ago, I posted a bit about this meme. See, for example, "Taking inventory of Reality Temple syncs."

The running man in the meme is Arnold Schwarzenegger in his acting debut, as the title character in Hercules in New York. In the movie, the Greek demigod Hercules spends some time in, you guessed it, New York, where he befriends a Jewish pretzel vendor called Pretzie. Near the end of the movie, Herc and Pretzie are together on a viewing platform near the top of the Empire State Building when Herc disappears, having returned to Olympus. Later he gives Pretzie a farewell message by speaking to him through his radio.

A few days ago, on Christmas Day, an extremely obscure schizo YouTube channel I follow for complex psychological reasons posted a new video, with this as the thumbnail:

Of course I had to click. The video itself is very short (less than a minute) and doesn't include the thumbnail image. Instead it shows Pepe the Frog driving a tractor cab through space and then crash-landing on a shooting star. I looked up the song played at the end of the clip and found that it's the theme from Super Smash Bros., a Nintendo game featuring such characters as Mario and Donkey Kong.

On December 29, William Wright posted "Another Mushroom Planet, monkeys and bananas, and a deadly head in the Empire State Building." The "planet" of his title is the Mushroom Kingdom in a movie featuring Mario and Donkey Kong. One of the clips he posts from the movie has A-ha's "Take On Me" as a soundtrack, and he discusses that song and its original music video:

[W]e have a handshake between the 'drawing' man, and the 'real' woman, where she is then pulled into drawing-land (which strangely brought to my mind the LDS temple endowment, where people are literally pulled through the veil by the hand). 

This juxtaposition of the temple with the idea of escaping reality by entering a drawing obviously syncs with the Schwarzenegger meme.

(Side note: As a teacher of English as a foreign language, I don't approve of "Take On Me." One of the things I have to teach students is that the object of a phrasal verb such as take on can normally go either after the two elements or between them -- take on an assignment or take an assignment on -- but that if the object is a pronoun, it can only go in the latter position -- take it on. Inevitably, someone raises his hand and says, "But what about that one song?" And don't even get me started on the McDonald's slogan! Grammatical reservations aside, though, one line from "Take On Me" has been a longtime personal motto: "Say after me: It's no better to be safe than sorry.")

William goes on to write about the Percy Jackson books, in which "the way to get to Olympus is through the Empire State Building." He mentions that the ESB has come up in my recent writing as well as his own, but I think he missed the fact that I had specifically written about someone ascending to Olympus from the Empire State Building.

In the same post, he mentions a sync regarding hamsters and the name Herbie. This got my attention because in my December 5 post "Still 'From the Narrow Desert'" I had also mentioned the name Herbie in connection with a rodent:

Back when I lived in Maryland, . . . we had a big tree house which was the site of some strange goings-on. We had a big antique radio in there, with which we picked up transmissions we imagined were from outer space, dealing with a sort of bomb called "the Big Herbie," which they regularly threatened to drop on us. . . . A persistent mental image or fantasy I used to have while in that tree house was that somewhere deep in the woods but not far away was a "mouse" that wanted to eat the tree house.

The "outer space" messages we picked up on the old radio sync with Hercules talking to Pretzie from Olympus through his radio. In the same post I also mention "a tower sufficiently high that they might get to heaven" (a phrase from the Book of Mormon), which obviously syncs with the idea of using the Empire State Building to get to Olympus.

The "Big Herbie" bomb, in case you were wondering, was about the size and shape of a coffee can and appeared to be made of balsa. At least, that's how it appeared in the visual images that sometimes accompanied the radio transmissions. I had serious doubts as to whether it was really explosive.

I suppose Herbert and Hercules are related names, each consisting of Her- followed by an element meaning "fame."

Sunday, November 5, 2023

Taking inventory of Reality Temple syncs

As announced in my last post, I'm putting the sync fairies on hold for a few weeks while I try to make sense of what they've already given me. And like it or not, the linchpin of the recent cloud of syncs (do clouds have linchpins? Jeeves?) is this stupid and gratuitously offensive (not that there's anything wrong with that) meme I found on 4chan:

Hercules in New York

The running man in the foreground of the meme is Arnold Strong as seen in his debut film, Hercules in New York (1970). After this breakthrough role, he would ditch this English-language stage name and replace it with his real surname, Schwarzenegger. In German, the word for a black man is Schwarzer, and their version of our "n-word" is Neger. Etymologically, Arnold's surname means "person from Schwarzenegg" ("Black Ridge") and is unrelated to the racial slur. Still, though, Mr. Strong's becoming Mr. Schwarzenegger obviously syncs with the idea of replacing English words with nigger.

By the way, there are two different places called Schwarzenegg: one in Austria, and one in the Canton of Bern, Switzerland.

For now anyway, Hercules in New York is available on YouTube in its entirety, and it's a pretty decent contribution to the "so bad it's good" genre:

In the scene from which the still in the meme is taken, the demigod Hercules, having just arrived in New York and been befriended by "Pretzie," a nebbishy pretzel vendor, happens upon a park where some college athletes are training. Here's a sample of the top-notch dialogue:

Pretzie: Where are you going?

Hercules: Over there.

Pretzie: What for?

Hercules: To show them how to throw the discus.

Pretzie: No, no. You've gotta stay here. You can't go buttin' in there.

Hercules: They would not like me to instruct them?

Pretzie: No, it's just for college guys. No outsiders allowed.

Hercules: I am Hercules.

So Herc wants to participate in sports with a group of white New Yorkers but is forbidden because there are "no outsiders allowed."

Throughout Herc's adventures in New York, the scene periodically changes to Olympus, where we see Zeus and various lesser gods observing him through -- uh, a big white crystal ball. You remember Zeus's famous crystal ball, right?

Near the end of the movie, Hercules is in trouble, having lost his divine powers and disappointed the gangsters who were counting on him to win a televised weight-lifting competition against a black dude. To save this wayward son of Zeus from the irate gangsters, the Olympians send down Atlas and, you guessed it, Samson! You remember all those Greek myths about Samson, don't you? No explanation is offered of how this Hebrew worthy came to be living on Mount Olympus after being crushed to death in the temple of Dagon; he is just mentioned matter-of-factly, as if he belonged there just as much as Mercury and Apollo and the rest.

Two other bodybuilders briefly show up and join the brawl without having any noticeable effect on Herc's fortunes. It's not clear which of them is supposed to be Samson, as they both have short hair, but in the end it is Hercules himself who ends up playing the Samson role of bringing down the pillars -- only in this case the "pillars" are just stacks of large cylindrical objects, wrapped in brown paper, in the warehouse or wherever it is they're fighting. (The characters never call it anything other than "that building.") Still, the allusion to Samson is obvious and obviously deliberate:



(Notice that the name Samson means "sun," and that the meme shows the sun between the pillars of a temple.)

These "pillars," unlike those of Samson, aren't actually load-bearing structures supporting the building, so nothing falls down other than the pillars themselves. Somehow this translates into a final victory for Herc -- I guess we are to assume that all the gangsters were crushed by the falling objects? -- because the scene immediately cuts to Herc and Pretzie, now apparently without a care in the world, on the observation deck of the Empire State Building. 



Throughout the whole movie, Zeus and the other gods have been trying to persuade Hercules to return to Olympus. While in the Empire State Building, he suddenly has a change of heart and decides to do so. Pretzie is admiring the view, turns around, and Herc has vanished.

Pretzie goes home and turns on his radio, only to hear Hercules speaking to him through the machine. ("Herc? Herc? Where are ya, Herc? What are you doing in my radio?") He starts having a conversation with his radio, asking Herc if he's ever going to come back even for a visit. Hercules leaves him with this:

Radio: Any time you wish me to be with you, all you need to do is think of me, and there I shall be, in your mind and in your heart, for as long as you want me to be, as long as you need me. Due to temporary atmospheric difficulties, we were interrupted in our broadcast. We resume . . .

Pretzie: Herc? Herc? "Any time you need me, any time you want me, just think of me, and I'll be there for as long as you want me to." Yeah. I think I'll eat an apple.

And, except for a brief epilogue set on Olympus, that's where the story ends: with Pretzie thinking he'll eat an apple. An exceedingly odd movie.


The Emperor card of the Tarot

Arnold is a German name meaning "eagle ruler," and the first element in Schwarzenegger means "black." In most pre-Waite versions of the Tarot, the Emperor card features a black eagle -- the Reichsadler which has been the symbol of various German states. This same eagle appears on the coat of arms of modern Austria, Schwarzenegger's homeland. Emperor also syncs with New York and the Empire State Building.

In my January 2022 Tarot post "Pondering his orb," I note that Oswald Wirth (from the Canton of Bern, Switzerland) identified the Emperor card with Hercules, and specifically with Hercules holding apples (cf. the random "apple" reference at the end of Hercules in New York). The emperor is typically shown holding an orb, and I connected this with the "pondering my orb" meme, in which a bearded man stares into a crystal ball much like Zeus's in Hercules in New York. (This meme, in turn, derives from an illustration of Saruman using a Palantir.)


I also connect both the orb meme and the Tarot card with Lehi and his Liahona, and even note that "The name Lehi is associated with Samson, the 'Hebrew Hercules.'" (William Wright has proposed that the Liahona was literally a Palantir. More on that later.) 

Another potentially relevant post is "The Emperor's Urim and Thummim," which focuses specifically on Oswald Wirth's version of the card (Oswald Wirth, who was from Bern and who identified the Emperor with Hercules). His Emperor has a breastplate with the Sun on one breast and the Moon on the other, and I connect these with the Urim and Thummim in Aaron's breastplate. See also "Four rams' heads," where I discuss connections between the Emperor card and Zeus.

Run Boy Run

On October 26, William Wright posted "Stones and Keys: Run, boy, run!" He discusses the music video for "Run Boy Run," by Woodkid. Crossed keys are a prominent theme in this video. When crossed keys are used as a papal symbol, one key is typically silver and the other gold. Mr. Wright identifies these keys with Palantiri: the golden/solar Anor Stone (Liahona) and the silver/lunar Ithil Stone.

The connection with the Reality Temple meme is that the "Run Boy Run" video begins with a shot of the Bern Switzerland Temple while we hear a bell tolling four times. We then see a boy running out of this temple as fast as he can. The boy's running, and various monsters assisting him, is the theme of the rest of the video. Woodkid, who directed the video himself, is a French Jew with no Mormon background, so his choice of this particular building is an odd one.

This temple, dedicated on September 11, 1955, was the first Mormon temple outside the United States. It was originally called the Swiss Temple, not receiving its current name until the 1990s. Like most LDS temples, it has a statue of the Angel Moroni atop its spire, but this was not added until September 7, 2005. The Woodkid video shows the pre-2005, Moroni-less version. The Swiss Temple was the first to replace much of the traditional temple ceremony with a movie. It may be also be relevant that, like all LDS temples, it was closed to black people prior to 1978.

Running out of a temple obviously syncs with the meme about "escaping the Demiurge's Reality Temple." Demiurge refers to the creator of the material universe, and the story of the Creation of the universe is central to the Mormon temple ceremony.

This site gives the following account of how the site for the Swiss Temple was selected:

Kneeling in prayer with this group he was impressed to locate the temple at Bern, Switzerland’s capital. The next morning before the travelers left for Holland, they inspected several sites and chose one in the southeastern part of the city and assigned Swiss-Austrian Mission president Samuel E. Bringhurst to acquire the property. President Bringhurst, however, discovered that this parcel had just been acquired for the city of Bern as a college site. Conferring with David O. McKay by phone, President Bringhurst was directed to identify other potential sites to be inspected by President McKay when he returned for his regularly scheduled visit to Switzerland in early July. 

This syncs with Hercules in New York -- the very scene used in the meme -- in which Hercules (played by an Austrian) is told to stay out of a place because "it's just for college guys. No outsiders allowed." Hercules is addressed as "boy" many times throughout the movie.

The movie 42 and Jackie Robinson

In my October 23 post "Michelangelo conflated with Archangel Michael, Crowley's headless God, 42 in the Tenth Aethyr," I discovered a connection in the works of Aleister Crowley between the numbers 42 and 333. I therefore took notice when I looked up "Run Boy Run" on Wikipedia and found that the song has a duration of 3:33 and was used in the trailer for a movie called 42.

The movie is about Jackie Robinson, the first black player to join an historically white baseball team. His number was 42, and it was retired in all MLB teams in his honor. I found the trailer mentioned on Wikipedia. The main soundtrack is the Jay-Z song "Brooklyn We Go Hard," but the beginning of the trailer does feature "Run Boy Run" (without the vocals).

Like the "Run Boy Run" video, the 42 trailer begins with a shot of a building and a tolling bell. Where "Run Boy Run" has the Bern Switzerland Temple, though, the trailer has the Empire State Building:

Jackie Robinson played for the Brooklyn Dodgers, so this choice of establishing shots -- a building in Manhattan, rather than the Brooklyn Bridge or something -- is an odd one.

As I mentioned, the main music for the trailer is not Woodkid but Jay-Z. Besides "Brooklyn We Go Hard," two of Jay-Z's other songs about New York City are "Empire State of Mind" and "A Star Is Born," both from the 2009 album The Blueprint 3. I know very little about Jay-Z and his music, but I do know that that because that album -- with its motif of three horizontal red stripes -- came up back in October 2020: "Jay-Z in 2009 presages Biden and 2020." One of the things I noted back then was that the cover art for "A Star Is Born" made it look like "A Star Is Bern." I connected that with Bernie Sanders at the time, but now it's yet another link to Bern, Switzerland.

The cover art for "Empire State of Mind," unsurprisingly, shows the Empire State Building. Notice also that it features Alicia Keys -- a link to the crossed-keys motif in "Run Kid Run" and thus indirectly to Bern.


Jackie Robinson, who successfully joined a white New York baseball team which had previously excluded blacks, syncs with the running Arnold image from the meme -- which shows Hercules practicing athletics with white New Yorkers who had tried to exclude him as an "outsider." In the 42 trailer, a white man predicts that "Negroes are gonna run the white man straight out of baseball" -- using the metaphor of "running out" to say that Anglo-Saxons are going to be replaced by Negroes. The meme also shows someone "running out" after replacing all English words with a slang form of the word Negro.

The Swiss Family Robinson

The trailer for the Jackie Robinson biopic 42 begins with music associated with the Swiss Temple in Bern -- a building which, like Major League Baseball, formerly excluded black people. Once Robinson and the Swiss Temple have been linked, this obviously brings The Swiss Family Robinson into the associative web. Its author, Johann David Wyss, was born and died in -- quelle surprise -- Bern.

The Robinson in the title is a reference to Robinson Crusoe, not the name of the family. In Wyss's original, their surname is never given, nor do we learn where in Switzerland they are from. The 1960 Disney movie makes the rather obvious choice to dub them the Robinsons and have them hail from Bern. In the novel, one of the children is usually named Jack in English translations (Jakob in the original), but the Disney movie removes this character, giving the family only three sons -- so we never quite get a Jackie Robinson.

Psalm 19 and the Sun Tarot card

In the November 1 post "Escaping the Demiurge's Reality Temple," I note connections between the meme, the 19th Psalm, and the 19th Tarot trump. The relevant passage from the psalm is this:

The heavens declare the glory of God; and the firmament sheweth his handywork.

Day unto day uttereth speech, and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard.

Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun, which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race (Ps. 19:1-5).

Not only does the meme show "a strong man to run a race" out of "a tabernacle for the sun"; it literally shows a man named Strong -- that being the stage name used by Schwarzenegger in the film from which the picture is taken. I read Psalm 19 in the course of my regular scripture reading, just two days after finding and posting the Reality Temple meme.

The number 19 is a link to the Sun card of the Tarot, the Rider-Waite version of which is quite similar to the meme. Each shows a shirtless person moving toward the viewer and to the right, with a manmade structure and a huge sun behind him. The face on the Sun is quite similar, as is the pattern of alternating straight and squiggly rays.

One of the main differences is that Arnold is on foot, while the child on the Tarot card rides a white horse. Although Arnold never rides a horse in Hercules in New York, there is an extended chase scene in which he drives two white horses in a chariot (because you can find anything in New York City):

The color scheme matches the Tarot card pretty closely. The chariot is red, like the flag on the card, and the yellow spokes of the chariot wheels suggest the Sun:

I think that about covers the recent syncs that tie in with this meme. Did I miss anything?

Thursday, July 28, 2022

Immediate confirmation that Michael is Mr. Owl

More syncs? More syncs. True player don't get no time to sleep. I see there are some comments on my last post already, but I haven't read them yet. I need to get this typed up first.

In my last post, I identified the constellations Hercules and Draco with St. Michael and the Dragon. I further identified the Dragon with the Metal Worm and Michael with Mr. Owl (as in the palindrome "Mr. Owl ate my metal worm") -- this latter connection being made on the rather flimsy grounds that Michael’s name means "Who is like God?"

Shortly after posting that, I went outside to take out the trash. I noticed a big gecko on a wall I was walking past, and I stopped to watch it for a bit, thinking, "Hey, it’s a dragon!" This is uncharacteristic behavior; geckos are extremely common in this part of the world, and ordinarily I would no more take notice of one than I would of a cockroach. This one felt like a significant "dragon," though, and I sort of expected something synchromystically relevant to happen with it. Nothing did, though, so after a minute or so I went on my way.

Later, I checked my blog for new comments, and then I checked the stats, which I don't do very often. I saw that I had had about 12,000 hits last month and about 10,000 so far this month. I used the calculator app on my phone to work out about how many hits per day that was.

Then I started reading, you guessed it, Mike Clelland's The Messengers. I came to a section with the heading "333 and orchestrated clues." Seeing that numerologically significant number reminded me that I wanted to check the gematria value of a particular word. I brought up the calculator app to do so and found that my last calculation was still on the screen:


So that got my attention. In this section, Clelland tells the story of a woman who kept running into the number 333 and the time 3:33. It seemed significant, but she couldn't figure out what it meant. Then, on what I infer from astrological clues given later in the text was January 24, 2003, she had a close-range sighting of a large triangular UFO with three lights on it, and the 333 syncs abruptly stopped. This woman was an astrologer, and later she was browsing her ephemeris and noticed this:

For the entirety of 2003, the number 3:33 appeared just one and only time for the Sun, the brightest and most important astrological luminary, and this fell on the very day of her triangle sighting.

Of course in the course of a year, the Sun will pass the 3°33′ mark in each of the 12 zodiac signs, but the standard Swiss ephemeris only gives the planets' positions for midnight Greenwich time each day of the year. That's how I inferred that her triangle sighting was on January 24 (Clelland only says "a winter's evening in 2003"); the emphemeris gives the Sun's position for that date as 3Aqu33′56.

The woman was still at a loss regarding the meaning of 333 until her epiphany finally came in the strangest way imaginable:

Kaye looked at a fish aquarium in the office. She was shocked to see that the little catfish Draco had been chewing on his favorite treat, an English cucumber. She said, "It was almost like a magnet drew my eyes to the cucumber!"

The fish had eaten out the middle of the cucumber slice, so there was now a perfectly formed hole in the precise shape of an equilateral triangle. Seeing this, she realized instantly how all the clues were related and couldn't believe that she had missed something so obvious.

Sounds like one of those koan stories, doesn't it? "At that moment, Kaye became enlightened."

This first caught my attention because of the name Draco (italicized in the original), since I had just posted about the constellation Draco. Then I noticed a really weird coincidence: Kaye saw that a catfish had eaten a triangle out of  a cucumber. It just so happens that I have in my house a cat called Triangle and another cat called Cucumber.

And finally we come to the Michael part. Clelland comments:

While there is no owl in this account, it does show up indirectly. The catfish shares its name with Draco the Dragon, a constellation that wraps itself around Polaris, the North Star. In Greek legend, Draco was a dragon killed by the goddess Minerva and thrown into the heavens where we still see it each night. Minerva, as we know, has a companion little owl.

That's actually just one of many myths relating to Draco (others identify it with Ladon, the dragon that guarded the Golden Apples and was killed by Hercules). But Clelland identifies the (female) conqueror of Draco with the owl. That makes Michael, the male conqueror of the the Dragon, Mr. Owl.

Hercules killed the dragon in order to secure the Golden Apples from the Garden of the Hesperides. This combination of garden, serpent, and forbidden apples naturally leads one to identify Hercules with Adam. The Locust Grove crop circle was in Adams County, Ohio; and Mormonism holds that Adam is the same person as the Archangel Michael.

What time did I read this story in Clelland's book? Well, my calculator screenshot was at 2:06, and I took a screenshot of the bit about Draco and Minerva at 2:29. That means that at 2:27 -- exactly 3 hours and 33 minutes after posting about Draco in my last post -- I was reading this Clelland story about Draco and the significance of 3:33.

I was going to post all this last night, but it was already very late, so I decided to go to bed and leave it for the morning. I had only been in bed for a few minutes when my wife (who is even more of a night owl than myself) called me to come downstairs. There was a baby gecko in the living room, and she wanted me to catch it and take it outside before the cats killed it.

How's that for a nice synchronistic punctuation mark?

Tuesday, October 13, 2020

Out of the strong came forth sweetness.

Briton Rivière, Una and the Lion (1880)

In my last post (qv), I hypothesized that the Strength card of the Tarot de Marseille originated when a depiction of Samson -- long-haired, beardless, and labeled with the grammatically feminine title La Fortezza or La Force -- was misinterpreted as being a woman. (Something similar seems to have happened to no less a personage than Jesus Christ in the World card.)


Visconti-Sforza Tarot, Tübinger Hausbuch, P. Madenié Tarot

As can be seen above, the earliest surviving Tarot cards (painted by Bonifacio Bembo for the Visconti-Sforza family) used Hercules rather than Samson as a representation of the virtue of Fortitude. The hero's identity is made clear by his short hair and by the fact that he carries a club. (Hercules first stunned the Nemean lion with his club and then strangled it with his bare hands; when Samson killed his lion, though, "he had nothing in his hand.")

While depictions of Hercules and the Nemean lion typically show the hero using his club or else grappling with the beast after the fashion of a Greek wrestler, Samson is almost universally depicted holding the lion's jaws open. This may seem strange -- wouldn't you want to hold its jaws closed? -- but reflects the biblical language. While Hercules bludgeoned and strangled his adversary, Samson "rent him as he would have rent a kid" (Judges 14:6). Pictures like the one in the Tübinger Hausbuch show him preparing to tear the beast in two.

The woman in the Tarot de Marseille also holds the lion's jaws open with her hands -- a pose specific to Samson, for a specific biblical reason. For me, this is conclusive evidence confirming my earlier speculation. The Strength card of the TdM came into being as a corruption of what was originally a picture of Samson -- the mistake being facilitated by his long hair and by the strangely androgynous faces so common in medieval and Renaissance art.

But when it comes to the development of the Tarot, the oldest cards are not always the truest, and a mistake is not always just a mistake. There is evolution at work here -- perhaps literal memetic evolution by natural selection (where only such mistakes as improve the card are preserved and copied), perhaps something more mysterious.

Hercules and the Nemean lion is just a standard hero-slays-monster story, with nothing particularly interesting about it. Vico, though, sees it is a symbolic representation of razing the forests of Nemea so that the land could be cultivated.

In the Samson story, this connection between killing the lion and providing food becomes more explicit, as Samson returns to the lion's carcass some time later and finds honey in it. This is the basis of his famous riddle:

Out of the eater came something to eat.
Out of the strong came something sweet.

I have quoted a version that rhymes -- it's a riddle, it has to rhyme! -- but the King James version says, "Out of the eater came forth meat, and out of the strong came forth sweetness" (Judges 14:14). The answer, discovered by his enemies through the treachery of his Philistine girlfriend, is "What is sweeter than honey? and what is stronger than a lion?" (v. 18).

The woman in the TdM image cannot be identified as any particular historical or mythological person, but I have illustrated this post with Briton Rivière's Una and the Lion -- a scene from Spenser -- because that is who she (anachronistically) reminds me of. Waite apparently thought likewise; his Strength card includes the Spenserian detail of the lion's licking Una's hand.

It fortuned out of the thickest wood
   A ramping Lyon rushed suddainly,
   Hunting full greedie after saluage blood;
   Soone as the royall virgin he did spy,
   With gaping mouth at her ran greedily,
   To haue attonce deuour'd her tender corse:
   But to the pray when as he drew more ny,
   His bloudie rage asswaged with remorse,
And with the sight amazd, forgat his furious forse.

In stead thereof he kist her wearie feet,
   And lickt her lilly hands with fawning tong,
   As he her wronged innocence did weet.
   O how can beautie maister the most strong,
   And simple truth subdue auenging wrong?
   Whose yeelded pride and proud submission,
   Still dreading death, when she had marked long,
   Her hart gan melt in great compassion,
And drizling teares did shed for pure affection.

And what is this but Samson's riddle completed? Out of the strong came forth sweetness, and out of the sweet came forth strength.

Ace of Hearts

On the A page of Animalia , an Ace of Hearts is near a picture of a running man whom I interpreted as a reference to Arnold Schwarzenegger....